“御宅文化”电视剧研究
发布时间:2018-04-27 02:39
本文选题:御宅 + 御宅文化 ; 参考:《福建师范大学》2013年硕士论文
【摘要】:在动漫游戏产业迅速发展的同时,御宅文化也随之出现,成为一种亚文化现象。2005年的时候,日本电视剧《电车男》在我国热播,而御宅这一新名词也由此进入中国。御宅文化的诞生在日本已经差不多三十年的时间,刚开始是一个第二人称的敬语,现在变成了一个社会群体。它的含义也有很多次的演变,御宅现象的产生与日本的社会发展、经济发展等都具有非常密切的关系,经历的时间也是非常长的。在我国,对于御宅文化的概念目前还不是被很多人所知道,我们通过调查研究发现,御宅在真实的生活中其实是比较少的。它大部分集中在80后身上,这些人对于日本动漫有很高的喜爱度,在消费以及人际交往的时候往往会表现出自己的特点,这与我国的政治、经济、文化发展也有密不可分的关系。 从文化传播的层面来分析,御宅文化在我国属于一种跨文化的传播事物,受到日本动漫产业的影响是巨大的,其中富含了很多的日本文化。它在年轻人中间较为流行,是一种比较典型的青少年亚文化。另外,御宅文化它也逐渐开始和主流文化进行融合和竞争。在不同的时代,不同的语境下,御宅文化也在进行着不断的调整。 本位研究的重点就是在御宅文化的基础之上,对御宅电视剧进行研究。通过大量的资料收集和文献整理,我们对御宅的概念进行了界定。我们接着对御宅文化电视剧的艺术特征进行了相关研究,概括其中的主题、人物、元素等特征。然后我们分析了御宅电视剧对社会和经济的影响,从而找出我国发展御宅电视剧的途径以及未来的发展方向。
[Abstract]:With the rapid development of the animation and game industry, the Otaka culture has also emerged as a sub-cultural phenomenon. In 2005, the Japanese TV drama "Trambus Man" became popular in our country, and the new term "Royal House" also came into China. After almost three decades in Japan, the Otaku culture, initially a second-person honorific, has become a social group. Its meaning also has many times evolution, the appearance of the imperial residence phenomenon and Japan's social development, the economic development and so on all have the very close relation, the experience time is also very long. In our country, the concept of imperial residence culture is not known by many people at present. Through investigation and research, we find that imperial residence is actually relatively few in real life. Most of it is concentrated on the post-80s generation. These people have a high degree of love for Japanese animation. They tend to show their own characteristics when they consume and interact with each other. This is related to the politics and economy of our country. Cultural development is also inextricably linked. From the aspect of cultural communication, the imperial residence culture is a kind of cross-cultural communication thing in our country, which is greatly influenced by Japanese animation industry, among which is rich in a lot of Japanese culture. It is more popular among young people, is a more typical juvenile subculture. In addition, the imperial residence culture it also gradually began to merge and compete with the mainstream culture. In different times and different contexts, the imperial residence culture is constantly adjusting. The focus of this research is to study the TV drama on the basis of imperial residence culture. Through a lot of data collection and literature collation, we define the concept of imperial residence. Then we have carried on the related research to the artistic characteristic of the imperial house culture TV play, summarized the theme, the character, the element and so on. Then we analyze the social and economic impact of the Imperial House TV series, and find out the way to develop the Royal House TV series and the future development direction.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J905
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