《凤凰大视野》历史纪录片的叙事框架研究

发布时间：2018-04-27 06:19

本文选题：叙事框架 + 凤凰大视野　；参考：《湖南大学》2014年硕士论文

【摘要】：随着国家在政策上对国产纪录片的扶持,以及纪录片市场的逐渐明朗,国产纪录片的生产越来越得到重视。纪录片栏目《凤凰大视野》不仅是凤凰卫视的王牌节目,更是国产纪录片栏目的优秀范例,甚至成为了多家电视台创作团队模仿的对象。本文以《凤凰大视野》2013年全年播出的历史纪录片作为研究对象,在对其进行框架分析的基础上,总结出节目的框架类型及特征,并结合受众问卷调查,解析节目的传播效果及其框架对受众的影响,以期深层次探析创作者坚持的历史观,为国产历史纪录片的生产创作提供借鉴。研究认为,《凤凰大视野》历史纪录片叙事框架主要有四类：反思自省框架、揭秘还原框架、人文关怀框架和宣传赞扬框架。整体上看,该节目历史纪录片的叙事框架突出学者专家的反思意识,并以满足受众兴趣与需求为目标,节目对历史事件的态度基本上以政府态度为准。影响这四类框架形成,并使框架具有以上特征的因素,主要是凤凰卫视及《凤凰大视野》创作团队的定位、节目访谈对象的选择、节目主要受众的兴趣以及当前中国大陆的基本制度与发展情况。从传播效果看,受众基本认可《凤凰大视野》历史纪录片所建构的媒介真实。在受众解读节目的过程中,受众的选择性心理、当前的现实环境和媒介技术条件都发挥了重要作用。针对上述研究,笔者对当下国产历史纪录片的创作生产提出建议。首先,历史纪录片要以真实作底线,切勿对史实肆意夸大、虚构；第二,创作者的观点要客观、立场要中立,切勿做单纯教化的工具；第三,在创作过程中,要节制对亲历者的访谈,重视学者专家的观点和角度：第四,历史纪录片节目并非单纯的讲述历史,在编排时要注意现实关联；最后,创作者要以媒介定位与受众群为标准,同时重视新媒体,加强与受众的互动。
[Abstract]:With the policy support of domestic documentaries and the gradual clarity of documentary market, more and more attention has been paid to the production of domestic documentaries. The documentary program "Phoenix Horizon" is not only the trump card program of Phoenix Satellite TV, but also an excellent example of domestic documentary program, and has even become the object of imitation by many TV stations' creative teams. This paper takes the historical documentary broadcast in 2013 as the research object, summarizes the frame types and characteristics of the program, and combines with the questionnaire survey of the audience, on the basis of the analysis of the framework of the documentary. This paper analyzes the effect of program dissemination and the influence of its framework on the audience, in order to analyze the historical view adhered to by the creators in order to provide reference for the production and creation of domestic historical documentaries. The study holds that there are four kinds of narrative framework of the historical documentary: introspection framework, revealing and restoring frame, humanistic care framework and propaganda and praise framework. On the whole, the narrative framework of the historical documentary highlights the reflection consciousness of scholars and experts, and aims to meet the interests and needs of the audience. The attitude of the program towards historical events is basically the attitude of the government. The factors that influence the formation of these four kinds of frameworks and make them have the above characteristics are mainly the orientation of Phoenix Satellite TV and the creation team of Phoenix Horizon, the choice of program interview objects. The interest of the main audience and the current basic system and development of mainland China. From the point of view of communication effect, the audience basically recognizes the media truth constructed by the historical documentary. In the process of reading the program by the audience, the selective psychology of the audience, the current realistic environment and the technical conditions of the media all play an important role. In view of the above research, the author puts forward some suggestions on the creation and production of domestic historical documentaries. First, historical documentaries should take the truth as the bottom line, do not exaggerate and fabricate the historical facts; second, the creators should be objective, their positions should be neutral, and they should not be the tools of pure enlightenment; third, in the process of creation, It is necessary to control interviews with those who have experienced them, and attach importance to the viewpoints and angles of scholars and experts: fourth, historical documentary programs should not simply tell history, but should pay attention to realistic connections in their arrangement. Finally, creators should take media positioning and audience groups as the criteria. At the same time, pay attention to the new media, and strengthen the interaction with the audience.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

【相似文献】