微纪录片叙事艺术研究

发布时间：2018-04-28 10:46

本文选题：微纪录片 + 叙事　；参考：《山东师范大学》2017年硕士论文

【摘要】：叙事学理论在结构主义背景下兴起于二十世纪六十年代,在这短短几十年的时间里,叙事学不断向多元化发展,并将理论应用于诸多学科中,例如从文学叙事拓展到新闻叙事、影视叙事以及网络叙事等等。近年来,随着我国数字化技术不断提高、新媒体平台发展迅速,使得在传统媒体中传播的影像形式发生了众多改变,微电影、微视频等形式开始出现在受众的视野中。纪录片作为一种不可替代的传统传播手段,在当前这种“微时代”的语境下,也开始转变其原有的传统鸿篇巨制的创作形式,在逐渐适应了受众对时间、空间碎片化的强烈需求的和新媒体时代瞬时共享的特点后,短小精悍的微纪录片便应运而生了。本文以叙事学理论为依托,运用了文献研究、案例研究以及创作实践等研究方法对微纪录片的叙事艺术进行了分析论述,并将研究分为五大部分。论文首先对微纪录片叙事的国内外研究现状做了梳理;其次,通过对“纪录片”和“微”字两个关键词的界定,归纳得出了微纪录片的概念;第三,以微纪录片的叙事内容作为切入点,分别从选材、主题以及人物三个方面进行具体分析;第四,研究微纪录片的叙事策略,分别从叙事视角、叙事结构和故事化的叙事手法进行阐述;第五,从微纪录片的叙事语言入手,将其分为画面语言和声音语言两大类,着重研究了其中的镜头语言和解说词语言。其中每一部分的论述都结合了毕业作品系列微纪录片《品味济南》的创作实践,将理论运用到实践中去,并发现了创作中的不足,为今后微纪录片的创作实践积累经验。
[Abstract]:The theory of narratology rose in the 1960s under the background of structuralism. In this short period of several decades, narratology continued to develop into a variety of disciplines, such as from literary narration to news narration. Film and television narrative and network narration and so on. In recent years, with the constant improvement of digital technology and the rapid development of new media platform, the image forms spread in traditional media have undergone many changes, such as micro-film, micro-video and other forms began to appear in the eyes of the audience. Documentary as an irreplaceable traditional means of communication, in the current "micro-era" context, but also began to change its original traditional monumental creative form, gradually adapted to the audience time, After the intense demand of space fragmentation and the characteristics of instantaneous sharing in the new media era, the short and powerful micro-documentaries came into being. Based on the theory of narratology, this paper analyzes and discusses the narrative art of micro-documentary with the methods of literature research, case study and creative practice, and divides the research into five parts. Firstly, the thesis combs the domestic and foreign research status of micro-documentary narration; secondly, through the definition of "documentary" and "micro-" word, it concludes the concept of micro-documentary; third, With the narrative content of micro-documentary as the breakthrough point, respectively from the selection of materials, themes and characters for specific analysis; fourth, the study of the narrative strategy of micro-documentaries, respectively from a narrative perspective, The narrative structure and narrative techniques are elaborated. Fifth, starting with the narrative language of micro-documentary, it is divided into two categories: picture language and voice language, and the lens language and the narrative language are studied emphatically. Each part of the thesis combines the writing practice of the graduation works series "taste Jinan", applies the theory to the practice, and finds the deficiency in the creation, which accumulates the experience for the future micro-documentary creation practice.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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