时空穿越电影中的时间意识——一种悲剧性审美

发布时间：2018-04-29 11:59

  本文选题：时间意识 + 或此或彼　； 参考：《电影评介》2017年13期

【摘要】：正对于人生现实不可避免的悲剧性,众多哲人和艺术家对此已有非常深刻的体会。克尔凯郭尔对人生在"或此或彼"的处境之中艰难抉择的揭示~([1]),叔本华对人生被欲念追逐而陷入无法解胶的痛苦命运的洞察~([2]),萨特对人在冷漠的必然性世界里面追求自由的探讨~([3]),都深刻地表现了人生的悲剧性。其中,海德格尔对人生存在论上由时间构造的"罪责"(亦可称之为"悲剧性")最为深刻,它与我们讨论的时空穿越电影的联系也最为密切。对人生本体性悲剧
[Abstract]:As for the inevitable tragedy of life reality, many philosophers and artists have very profound understanding of this. Kerr Kay Gol's hard choice of life in the situation of "or this or Peter" is revealed ~ ([1]), Schopenhauer's insight into the painful fate of life being chased by desire and falling into the unsolvable fate ~ ([2]), Sutter is indifferent to human beings The pursuit of freedom in the world of inevitability ~ ([3]) is a profound manifestation of the tragedy of life. Among them, Heidegger is most profound in the "culpable" (also called "tragedy") on the existence of life in the theory of life (also called "tragedy"). It is most closely related to the time and space through electric shadow we discussed.

【作者单位】： 河北大学艺术学院;河北大学工商学院艺术系;
【分类号】：J901
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本文编号：1819837