论美国动画创作对异国文化元素的解构与建构

发布时间：2018-04-29 17:35

本文选题：动画创作 + 解构　；参考：《江南大学》2013年硕士论文

【摘要】：当前，动画的大众化与跨文化传播正在逐步加剧。动画创作中谁先打破文化的时空界限并掌握整合文化资源的方法，以全新的“他者”角度客观的审视异域文化与本土文化，才能得到更大的文化发展空间。放眼世界，美国动画一直擅长于吸纳世界各国、各地区的优秀文化资源为己所用。美国动画有效的文化资本转换力实现了它的商品价值与文化价值，完善了美国的国家形象建构。文章选取美国动画中应用异国文化元素的影片为案例，以个案分析与综合研究法为主，文献研究法、跨学科研究法以及历史性研究法为辅，探讨美国动画对文化资源转换的理念，揭示动画与文化的关系，助力我国动画的未来发展和定位。首先，从故事主题、角色设计、场景设计以及视听语言这四个方面分析美国动画历年来对异国文化元素解构与建构的影片案例特点。在此基础上发现美国动画创作对异国文化元素解构与建构的模式坚守与理论创新，即商业化为目的，，类型化为条件，奇观化与陌生化为策略。其次，以前文研究为基础，分析美国主导文化、动画本体特性与动画本体形态相关理论对美国动画创作文化资源转换过程中的影响。得出的结论是美国主导文化构建动画创作的基本框架，动画本体特性与动画形态系统规范动画的形式表达与意义传达。最后，从“美国动画创作对异国文化元素的解构与建构”这个文化现象中得出启示：动画影像生成超越现实逻辑、遮蔽传统审美趣味的仿像文化；动画文化生成不同文化背景与群体的人们都可以享受的共享文化。在全球化的文化背景下，我国动画未来的发展与定位是形成中国本土特色的动画世界语言、构建中国民族特色的动画共享文化。在尊重本土文化、他者文化的前提下，用本土特色的动画语言降低仿像文化可能对真实逻辑的掩盖，使动画文化生态更加健康。以民族精神为内核，用动画本体特性卡通化的抹去地域文化、传统文化中一些排斥性的、不兼容的限制，搭建融合全球人类集体记忆的共享文化温床。
[Abstract]:At present, the popularization of animation and cross-cultural communication is gradually intensified. In animation creation, who first breaks the time and space boundary of culture and grasps the method of integrating cultural resources, and examines the foreign culture and native culture objectively from the perspective of "other", can get a greater space for cultural development. Looking at the world, American animation has always been good at absorbing countries around the world, the region's excellent cultural resources for their own use. The effective cultural capital conversion of American animation realizes its commodity value and cultural value, and improves the national image construction of the United States. In this paper, we choose the films with foreign cultural elements in American animation as a case study, with case analysis and comprehensive research as the main method, literature research, interdisciplinary research and historical research as the supplement. This paper probes into the concept of American animation on the transformation of cultural resources, reveals the relationship between animation and culture, and contributes to the future development and orientation of animation in China. Firstly, this paper analyzes the characteristics of American animation's deconstruction and construction of foreign cultural elements from four aspects: story theme, character design, scene design and audiovisual language. On this basis, it is found that the mode of deconstruction and construction of foreign cultural elements in American animation works is firmly adhered to and theoretical innovation, that is, commercialization as the purpose, type as the condition, wonder and strangeness as the strategy. Secondly, based on the previous studies, this paper analyzes the influence of American dominant culture, the characteristics of animation ontology and the related theory of animation ontology on the process of cultural resources conversion of American animation creation. The conclusion is the basic frame of American leading culture to construct animation creation, animation Noumenon characteristics and animation form system to standardize the form expression and meaning communication of animation. Finally, from the cultural phenomenon of "deconstruction and construction of foreign cultural elements in American animation creation", the author draws inspiration: animation image generation transcends the realistic logic and obscures the traditional aesthetic taste; Animation culture creates a shared culture that people from different cultural backgrounds and groups can enjoy. Under the cultural background of globalization, the future development and orientation of animation in China is to form the world language of animation with Chinese local characteristics and to construct the culture of animation sharing with Chinese national characteristics. Under the premise of respecting local culture and other culture, using the animation language with local characteristics to reduce the imitation culture may cover up the real logic and make the animation culture ecology more healthy. Taking the national spirit as the core, using the animation Noumenon characteristic card to erase the regional culture, some exclusive and incompatible restrictions in the traditional culture, and to build the shared cultural hotbed that integrates the global collective memory of human beings.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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