吴宇森电影暴力美学研究

发布时间：2018-04-30 03:42

本文选题：吴宇森 + 暴力美学　；参考：《湖南科技大学》2014年硕士论文

【摘要】：吴宇森，世界暴力美学电影大师之一。经过多年在电影道路上的探索与创新，形成了具有个人特色的影像风格风格——“暴力美学”。暴力美学有其特定的文化渊源和产生背景，也有着独特审美特征和审美心理，然而在吴宇森的不懈努力下暴力变成了一种富有诗意的“有意味的形式”，给全世界观众提供了一个全新审视暴力的视角。他的作品更深刻的影响着当今世界其他导演对暴力题材电影的创作，他的影片展示出来的暴力场面既与同是东方武侠动作导演李安、张艺谋暴力电影存在不同的视听风格，又与美国暴力美学大师昆汀·塔伦蒂诺、日本暴力电影新锐导演北野武的影片有着截然不同的叙事风格。本文主要分四部分对吴宇森电影的暴力美学进行阐述：一、前言。这部分主要是对吴宇森、暴力美学等概念以及当今世界主要的暴力美学导演、代表作品进行归纳总结，为之后的深入研究打下基础；二、吴宇森电影暴力美学的人物塑造与情境设置。通过对吴宇森暴力电影里如何进行人物刻画和情境设置进行了剖析，，进而升华了吴宇森电影暴力美学中写意唯美、浪漫诗意和舞蹈化的独特表现方式和手法；三、吴宇森电影暴力美学的文化依托研究。结合吴宇森的成长背景、时代背景与国内其他暴力电影导演的作品和世界其他暴力美学大师的阐述风格进行了鲜明的对比，着重突出显示了在中西文化交汇的吴宇森暴力电影里独树一帜的美学风格；四、吴宇森电影暴力美学的带来的思考。暴力运用在电影里是一把双刃剑，使用的的好可以带来意想不到的效果和收视，然后一旦被受众歪曲理解，则也会带来意想不到的后果。如何把握好电影中暴力的展示力度？如何对电影主题进行升华？如何引导青少年用正确的态度观看暴力电影？都成了新时代暴力美学电影想要持续平稳发展所研究的课题。吴宇森电影暴力美学之所以能得到观众们的认可，还是因为影片里所体现的主题或精神是符合人们的心理需求的。虽说暴力不好，但用得好还是会有意想不到的惊喜。
[Abstract]:Wu Yusen is one of the masters of the world's violent aesthetics film. After many years of exploration and innovation on the road of film, a personal style of image style-"violence Aesthetics" has been formed. The aesthetics of violence has its specific cultural origin and background, but also has its unique aesthetic characteristics and aesthetic psychology. However, with the unremitting efforts of Wu Yusen, violence has become a poetic "meaningful form". It gives viewers around the world a fresh look at violence. His works have a more profound impact on the creation of violent films by other directors in the world today. The violent scenes displayed in his films are different from those of Lee an and Zhang Yimou violent movies, which are the same action directors of the Eastern Martial Arts, and there are different audio-visual styles in his films. And American violence aesthetics master Quentin Tarantino, Japanese violence film director Kitano has a different narrative style. This paper is divided into four parts to describe the aesthetics of violence in Wu Yusen's films: first, foreword. This part is mainly about Wu Yusen, violence aesthetics and other concepts, as well as the world's main director of violence aesthetics, representative works of summary, for the future in-depth research laid the foundation; second, Character shaping and situational setting of violent Aesthetics in Wu Yusen's movies. Through the analysis of how to portray characters and how to set up the situation in Wu Yusen violent movies, it sublimates the unique ways and means of expressing the beauty of freehand brushwork, romantic poetry and dancing in the violent aesthetics of Wu Yusen films. Research on the Cultural support of Wu Yusen's Film violence Aesthetics. In combination with Wu Yusen's background of growth, the background of the times and the works of other violent film directors in China and the exposition styles of other world masters of violence aesthetics, It highlights the unique aesthetic style of Wu Yusen's violent film, which intersects Chinese and Western cultures. The use of violence is a double-edged sword in the film, the good use of which can bring unexpected effects and ratings, and then if distorted and understood by the audience, it will also bring unintended consequences. How to grasp the intensity of violence in movies? How to sublimate the theme of the film? How to guide teenagers to watch violent movies with the right attitude? Has become the new era of violence aesthetic film want to continue to develop smoothly research topic. The reason why Wu Yusen's film violence aesthetics is accepted by the audience is that the theme or spirit embodied in the film is in line with people's psychological needs. Although violence is not good, there will be unexpected surprises when used well.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J901

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