复制、模仿与解构——浅析作为电影美术道具的艺术品
发布时间:2018-05-01 02:37
本文选题:语义 + 文化 ; 参考:《出版广角》2017年09期
【摘要】:在电影美术中,艺术品道具的创作背景、作品寓意及其所代表的文化内涵,不仅在电影的人物塑造上有重要意义,在影片情节推动以及主题传达上也有密切的关系。如果艺术品本身作为意义传达的符号,能指和所指不再是统一的概念,而是被割裂,那么,它就会影响受众对影片以及艺术品的理解。文章利用符号学及其相关理论,对电影中艺术品的复制或者模仿再现的现象进行分析,阐释掌握艺术品历史和文化意义对电影叙述的重要作用。
[Abstract]:In the film art, the creation background, the implication and the cultural connotation of the art props are not only of great significance in the character shaping of the film, but also closely related to the plot promotion and the theme communication of the film. If art itself as a symbol of meaning, signifier and signifier is no longer a unified concept, but is separated, then it will affect the audience's understanding of the film and art. Based on semiotics and its related theories, this paper analyzes the phenomenon of reproduction or imitation of works of art in movies, and explains the important role of historical and cultural significance of art in film narration.
【作者单位】: 北京师范大学艺术与传媒学院;
【分类号】:J05;J913.2
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本文编号:1827386
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