北野武电影的暴力美学研究

发布时间：2018-05-01 09:33

本文选题：北野武 + 暴力美学　；参考：《海南师范大学》2017年硕士论文

【摘要】：日本导演北野武是80年代后出道的导演中最具代表性的一位。本文试以北野武的电影为研究对象,解读影片独具特色的暴力美学特征,并从影片的镜语风格、叙事策略和死亡主题三个方面入手,进一步考察其崇高内涵,探究电影所造就的崇高之美。首先,北野武的电影并存着暴烈与唯美两种极致元素,残暴和柔美的极端影像互相交织,构成其独特的电影镜语风格。导演以崭新的表法方式,表达着对暴力的极端追问。暴力影像在刺激感官外,开始负载更为厚重的作用,不再只是剧情的推手和表现对象,而是成为表现生活,表达意义或是揭示哲理甚至成为抒发感情的手段,这其中带有着崇高的哲学意味。其次,将北野武的电影叙事风格进行定义,笔者认为是重建性叙事,其特点在于瞬间、短暂的暴力动作的前后,电影画面呈现出安静的状态。观者在这种从持续到突变的电影节奏中获得崇高的审美体验,持续的静止画面使观者在静默中感到强烈的压抑与痛感,而突变的暴力场景则让其在隐忍中得以爆发,最终由恐惧转向愉悦,由惊叹化为振奋,并在情感的迸发中,由痛苦升华到震撼人心的崇高之美。最后,北野武的电影有其固定的死亡主题。死亡委身屈居于影片的一幕,并非只是情节设置的一部分,作为一种表达生命形态完整性的高级形式,承载着日本民族死亡崇拜的文化观念。导演以独特的视角表现出主人公面对死亡时表现出的无畏作风和尊严,以及传统的武士道精神,显示出超越死亡的崇高价值。通过对北野武暴力美学崇高内涵的详细解读,希望本文也能对崇高美在当代电影中的体现有进一步地把握。同时,笔者将进一步反思当今在后现代语境与消费社会的影响下,崇高之美的缺失,并为当代盛行的“半截子崇高主义”电影的发展提出拙见。
[Abstract]:Japanese director Takeshi Kitano is the most representative of the directors who made their debut in the 1980 s. This paper takes Kitano's films as the research object, interprets the unique aesthetic characteristics of violence in the film, and further investigates its lofty connotation from three aspects: the mirror language style, the narrative strategy and the theme of death. Explore the sublime beauty of film. First of all, Kitano's films coexist with violent and aesthetic elements, and the extreme images of cruelty and softness interweave with each other, forming their unique style of mirror language. The director expressed his extreme questioning of violence in a new way. In addition to stimulating the senses, violent images begin to carry a heavier role. They are no longer just the pushers and objects of the plot, but rather become the means of expressing life, expressing meaning, revealing philosophy or even expressing feelings. There is a sublime philosophical connotation in it. Secondly, the author defines the narrative style of Kitano's film, which is the reconstruction narrative, which is characterized by the moment, the short violent action before and after, the film picture presents a quiet state. The viewer gets a noble aesthetic experience in the movie rhythm from continuous to sudden change. The constant still picture makes the viewer feel intense depression and pain in the silence, while the sudden violent scene allows it to erupt in tolerance. Finally, from fear to pleasure, from exclamation to exhilaration, and in the burst of emotion, from suffering to sublimation to the sublime beauty. Finally, Kitano's film has its fixed theme of death. As an advanced form of expressing the integrity of life form, death committed to the scene of the film is not only a part of the plot setting, but also bears the cultural concept of Japanese national death worship. The director shows the heroine's fearlessness and dignity in the face of death and the traditional Bushido spirit, which shows the lofty value of transcending death. Through the detailed interpretation of the noble connotation of Kitano's violent aesthetics, I hope that this article can further grasp the embodiment of sublime beauty in contemporary movies. At the same time, the author will further reflect on the lack of the beauty of sublime under the influence of the post-modern context and the consumer society, and put forward some humble ideas for the development of the contemporary popular film "Half-sublime Doctrine".
【学位授予单位】：海南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J901

【参考文献】