宫崎骏动画美学风格的文化审思

发布时间：2018-05-02 05:04

本文选题：宫崎骏 + 动画电影　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：本论文主要对宫崎骏动画电影的美学风格以及文化成因进行一次较为全面的整理和研究。宫崎骏作为世界动画电影大师，一直关注着人类的生存状态。在他的作品中我们能感觉到他深刻的环保意识和深厚的人文情怀，这些都与他渊博的文化知识分不开的。在宫崎骏大师的动画作品里，我们处处都能看到日本文化的影子，他优秀的电影作品成为了日本传统文化的缩影，成为日本人值得骄傲的民族文化象征。例如在他的动画电影中我们能看到“物哀”、“和谐”等美学思想。本文试图从动画与文化的角度对宫崎骏动画电影的美学风格进行分析，并期望在分析的过程中找出中国动画市场处于低迷的原因，找出解决办法，并对中国动画的发展前景进行展望和构想。本文从文化、动画电影、美学风格三个角度，运用美学的相关理论，采用理论解读与文本剖析相结合的方式，分析宫崎骏的代表作，探讨他电影中所映射的日本民族文化精髓和日本人民的审美特质。并运用宫崎骏动画电影的成就与中国动画现在处于的低迷状态进行对比的方法，提出中国动画存在的问题，找出中国动画的出路。全文分为三大部分：第一部分，宫崎骏动画思想主题的多维审思。主要关注四个方面：人与自然关系的思考、成长主题的探讨、对女性群体的关注、自我的找寻。人与自然的关系一直是宫崎骏作品的主要关注点，在他的每一部作品中都有体现。他的作品大多以女性形象为主角，把她们塑造成英雄形象，最终都会打败黑暗势力取得胜利。成长主题和自我的找寻同样一直是宫崎骏作品中不可缺少的重要主题。第二部分，，试论宫崎骏动画的美学风格及文化成因。这一部分是论文的重点章节。主要从三个美学特质进行阐释，即感伤美、简约美、和谐美。宫崎骏之所以成为动画电影大师，与他深厚的文化底蕴是分不开的。他善于利用日本传统文化，挖掘文化精华，并巧妙的运用到动画电影创作中，创作出独具一格的动画电影形式。这一点是中国动画电影最值得学习的部分。第三部分，宫崎骏动画电影对中国动画的启示。这是论文主要想解决的问题。最后一部分主要分析中国动画现在存在的弊端，希望通过分析宫崎骏动画电影之所以能立于不败之地的原因，通过对比，找出中国动画为什么会是现在这样低迷的局面，并提出相应的措施，使中国动画重新回到世界动画大舞台。
[Abstract]:This thesis mainly focuses on the aesthetic style and cultural causes of MiyazakiHayao animation film. MiyazakiHayao as the world animation film master, has been concerned about the survival of mankind. In his works, we can feel his deep environmental awareness and profound humanistic feelings, which are inseparable from his profound cultural knowledge. In the animation works of Master MiyazakiHayao, we can see the shadow of Japanese culture everywhere. His excellent film works become the epitome of Japanese traditional culture and the symbol of Japanese national culture worthy of pride. For example, in his animated movies, we can see the aesthetic thoughts such as "object mourning" and "Harmony". This paper tries to analyze the aesthetic style of MiyazakiHayao animation film from the angle of animation and culture, and expects to find out the reason why the Chinese animation market is in the doldrums and find out the solution in the process of the analysis. And the prospect of the development of Chinese animation is prospected and conceived. This paper analyzes MiyazakiHayao's masterpieces from the perspectives of culture, animated film and aesthetic style, using the relevant theories of aesthetics and the combination of theoretical interpretation and text analysis. This paper probes into the essence of Japanese culture and the aesthetic characteristics of the Japanese people reflected in his films. Using the method of comparing the achievement of MiyazakiHayao animation film with the low state of Chinese animation, this paper puts forward the existing problems of Chinese animation, and finds out the outlet of Chinese animation. The thesis is divided into three parts: the first part, the multi-dimensional review of MiyazakiHayao's animation theme. It mainly focuses on four aspects: the relationship between man and nature, the theme of growth, the concern for women and the search for self. The relationship between man and nature has always been the main focus of MiyazakiHayao's works, which is embodied in every work. Most of his works focus on female characters, portraying them as heroes and ultimately defeating the dark ones. The theme of growth and self-search has also been an indispensable theme in MiyazakiHayao's works. The second part discusses the aesthetic style and cultural causes of MiyazakiHayao animation. This part is the key chapter of the thesis. Mainly from three aesthetic characteristics of interpretation, that is, sentimental beauty, simple beauty, harmonious beauty. The reason why MiyazakiHayao became a master animation film, and his profound cultural heritage is inseparable. He is good at making use of the Japanese traditional culture, excavating the essence of culture, and skillfully applying it to the animation film creation, creating a unique animation film form. This is the Chinese animation film most worthy of study part. The third part, the inspiration of MiyazakiHayao animation film to Chinese animation. This is the main problem that the paper wants to solve. The last part mainly analyzes the drawbacks of Chinese animation, hoping to find out why Chinese animation is in such a doldrums by analyzing the reasons why MiyazakiHayao animation films are invincible. And puts forward the corresponding measure, causes the Chinese animation to return to the world animation big stage.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J901;G131.3

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