当前位置:主页 > 文艺论文 > 影视论文 >

纪录片《青村独白》创作阐述

发布时间:2018-05-02 10:57

  本文选题:青村 + 经租 ; 参考:《南京师范大学》2017年硕士论文


【摘要】:如今的社会发展乐于迎新,可迎新必然伴随除旧吗?对于高楼大厦、窗明几净来说,青村的“旧”的。可对于一个充满生活气息的城市来说,它似乎是应该保留的过去。把镜头对准青村以及房屋里的一家人,其实镜头之后才是更加深刻的焦点。青村建成至今已经83年,经历了新中国的成立、1958年社会主义改造(私有房产经租)、文革十年、落实私房政策、如今又面临政府“征收”,房屋主人的态度,也从刚开始“我们担心今天把房子交出去,明天他们就能拆掉”,到最后“我想会有好的结果,我们也在等着这一天”,如此的转变,可以说是希望与无奈并存。此影片采用文献纪录片制作模式,运用文献分析法、历史研究法、案例研究法对影片主体进行分析,经过摄录、配音、剪辑等艺术创作过程,以互文的手法交叉完成青村和“经租史”两条线索链。从而探讨一场由“物权”引发的关于历史的追溯和关于“人权”的思考。本片的主观性观察在于如今社会发展中“获得”与“失去”问题的提出,客观性在于第三人称表达。影片参考了文献纪录片的制作及其特点,并在不影响客观性的基础上尝试艺术性手法的表达,以求引起观影者更加深刻的思考。
[Abstract]:Today's social development is willing to welcome the new, but welcome the new must be accompanied by the old? For tall buildings, the clear, green village of the "old". But for a city full of life, it seems to be the past that should be preserved. Focus the camera on Aokura and the family in the house, but only after the camera is a deeper focus. It has been 83 years since the establishment of Qingcun. It has gone through the founding of New China. In 1958, the socialist transformation (private housing was rented for 10 years, the Cultural Revolution was carried out, the private housing policy was implemented, and now it faces the government's "levy" and the attitude of the housing owners. From the beginning, "We are worried about handing over the house today and they will be able to tear it down tomorrow," and finally, "I think there will be a good result, we are also waiting for this day." such a change can be said to be both hope and helplessness. This film adopts documentary documentary production mode, uses literature analysis method, historical research method, and case study method to analyze the subject of the film, and through the process of recording, dubbing, editing and other artistic creation. Intertextuality of the completion of Qingcun and "through the history of rent" two clue chain. This paper probes into a historical retrospect and a reflection on human rights caused by Real right. The subjective observation of this film lies in the proposition of "gain" and "loss" in the social development nowadays, and the objectivity lies in the third person expression. The film refers to the documentary and its characteristics, and tries to express the artistic technique on the basis of not affecting objectivity, in order to cause the viewer to think deeply.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J952

【参考文献】

相关期刊论文 前5条

1 石破;;南京城:消失的老房子[J];南风窗;2013年23期

2 陈敏南;;“非遗”题材纪录影片的叙事策略[J];当代电影;2012年05期

3 祝克懿;;互文:语篇研究的新论域[J];当代修辞学;2010年05期

4 赵胜;;上海城市私房的社会主义改造[J];当代中国史研究;2010年05期

5 沈有元;唐黎;;“文革”记忆影片的叙事空间与叙事策略[J];巢湖学院学报;2008年01期

相关重要报纸文章 前2条

1 玄萱;殷学兵;;玄武区:走在最前列,,争当建设新南京排头兵[N];南京日报;2016年

2 侯锦阳;;新街口东北片将被打造成主城核心CBD[N];南京日报;2013年

相关硕士学位论文 前5条

1 张勇;杭州影像:电影城市与文化想象[D];浙江师范大学;2012年

2 周超;对经租历史遗留问题房屋的法律思考[D];西南政法大学;2012年

3 吴迪;我国经租房权属争议研究[D];南昌大学;2010年

4 段勃;调查性报道研究[D];华中科技大学;2005年

5 钱溪;对我国城市私房所有权保护的理念与制度的思考——由经租房问题谈起[D];中国政法大学;2005年



本文编号:1833588

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1833588.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户de967***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com