2006-2016年中国艺术电影研究

发布时间：2018-05-02 12:22

本文选题：中国艺术电影 + 艺术　；参考：《河北大学》2017年硕士论文

【摘要】：中国艺术电影在国内的语境下,逐渐成为了区别于商业电影、主旋律电影的艺术创作。具体到2006年以来,中国艺术电影呈现出更加丰富多彩的艺术特征。从20世纪90年代到21世纪初期的对边缘人物的集中关注回归到对普通人的关注上来,影片的精神内核也回归传统价值观。同时,中国艺术电影还表现出一定的市场化趋势。除此之外,中国艺术电影所面临的处境和在市场中的表现有喜有忧。影响其市场表现的因素主要有政策及专项资金的扶持、资本介入与互联网经济的发展、快速增长的年轻观影群体、商业化的营销等。由此我们可以看出,中国艺术电影在市场化过程中面临的问题以及转机。本文运用数据调查法、案例分析法和比较研究等方法,试图从不断变化的社会历史背景中,提炼出2006-2016年艺术电影的内涵,并从中国艺术电影自身的艺术性及电影形态入手,结合其市场表现及其原因,尝试探索我国艺术电影艺术性与市场性结合的多种可能性。艺术电影是电影生态中的精神意义之所在,不能简单直接地与商业电影相比较。我们通过分析2006-2016年中国艺术电影的艺术特征、市场表现及其影响因素,了解到艺术电影创作和面向市场的一些变化,其目的更是希望找到艺术性与市场性的平衡之处,从而形成更加广泛的传播范围,进入艺术电影自身发展的良性循环。
[Abstract]:Chinese art film in the domestic context, gradually become different from commercial film, theme film art creation. Since 2006, Chinese art films have presented more colorful artistic features. From the 1990s to the beginning of the 21st century, the focus on the marginal characters returned to the attention of ordinary people, and the spiritual core of the film also returned to the traditional values. At the same time, Chinese art films also show a certain trend of marketization. In addition, Chinese art film is faced with the situation and performance in the market has mixed ups and downs. The main factors influencing its market performance are the support of policy and special funds, the capital intervention and the development of Internet economy, the fast growing young audience, the commercialized marketing and so on. From this, we can see that Chinese art film in the process of market-oriented problems and opportunities. By using the methods of data investigation, case analysis and comparative study, this paper attempts to extract the connotation of the art film from 2006 to 2016 from the constantly changing social and historical background, and starts with the artistry and the film form of the Chinese art film itself. Combined with its market performance and its reasons, this paper tries to explore the possibility of combining artistic and marketability of Chinese art films. Art film is the spiritual meaning of film ecology, and can not be compared with commercial film directly. By analyzing the artistic characteristics, market performance and its influencing factors of Chinese art films from 2006 to 2016, we understand some changes in artistic film creation and market-oriented, and its purpose is to find a balance between artistry and marketability. In order to form a wider range of dissemination, into the virtuous circle of the development of art film itself.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J951

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