新世纪谍战剧的叙事特征研究

发布时间：2018-05-02 22:53

本文选题：谍战剧 + 叙事价值　；参考：《上海大学》2013年硕士论文

【摘要】：从2002年的《誓言无声》到2006年的《暗算》，再到2009年的《潜伏》、2010年的《黎明之前》、2011年的《借枪》、2012年的《悬崖》等，不难发现新世纪谍战剧正以其独特的话语体系与叙事策略跻身主流电视剧类型。新世纪谍战剧在价值取向、叙事聚焦、叙事时空及其叙事类型上分别呈现出了崭新的特征，同时，在其创作过程中也遭遇了不可避免的瓶颈与困境。新世纪谍战剧价值取向上的变化特征为，将鲜明的阶级对抗置换为不同对立集团的才智较量，逐渐抛弃掉了五六十年代反特片所携带的明确意识形态内容及政治功能，主控思想更加关注伦理价值的表达、注入更多对良知的探讨、对人性的关怀，出现这种变化的原因，正是由于市场经济大潮催生下的消费语境的产生。为适应这种变化，新世纪谍战剧出现了新的讲述机制和相应的形式特征。首先，在叙事聚焦策略上用零聚焦方式构成了有意识的多重聚焦转换；其次，对叙事时间的处理更加灵活，，更加注重时序、时长的变形化处理，在叙事空间的优化与开拓上，更加注重心理空间的营造及其对自然空间的纳入。主控思想的变化以及对伦理价值的关怀，使新世纪谍战剧在市场化背景下呈现出新的类型杂糅趋势，它本身既结合了家庭伦理剧中的日常性叙事特征，又包含了悬疑推理剧中的非日常性表现元素。正是不同类型元素的杂糅造就了这种崭新的类型集合，而新世纪谍战剧最明显的类型杂糅特征即对家庭伦理剧及悬疑推理剧的类型元素的交错与重叠。但值得注意的是，题材优越与市场环境的恰逢其时并不能为创作者提供任何长盛不衰的保障，成功的原因在于品质而不是类型。新世纪谍战剧仍然存在情节与人物失衡等创作问题，这也提醒广大创作者在重情节的同时应该更加注重新世纪谍战剧思辨品格的建设，注入更多的价值思考，使其获得更为长久的生命力。
[Abstract]:From "vow silent" in 2002 to "secret computing" in 2006, "latent" in 2009, "before dawn" in 2010, "borrow guns" in 2011, "cliff" in 2012, etc. It is not difficult to find that espionage drama is becoming the mainstream TV series with its unique discourse system and narrative strategy. The new century espionage drama shows new characteristics in value orientation, narrative focus, narrative time and space and its narrative type. At the same time, it also encounters the inevitable bottleneck and predicament in the process of its creation. The changing characteristics of the value orientation of the new century espionage drama are that the distinct class confrontation has been replaced by the intellectual contest of different opposing groups, and the explicit ideological content and political function carried by anti-special films in the 1950s and 1960s have been gradually abandoned. The main control thought pays more attention to the expression of the ethical value, injects more discussion to the conscience, the concern for human nature, and the reason for this change is precisely because of the emergence of the consumer context under the market economy tide. In order to adapt to this kind of change, new narration mechanism and corresponding form characteristic appeared in the new century espionage drama. First of all, in the narrative focusing strategy, the zero-focus method constitutes a conscious multi-focus transformation; secondly, the processing of narrative time is more flexible, more attention is paid to the time sequence, the time is deformed, and the narrative space is optimized and developed. Pay more attention to the construction of psychological space and the integration of natural space. The change of the master control thought and the concern for the ethical value make the espionage drama in the new century present a new type and hybridity trend under the background of marketization, which not only combines the daily narrative characteristics of the family ethics drama, but also combines the daily narrative characteristics of the family ethics drama. It also contains the abnormal performance elements in the suspense reasoning drama. It is the blending of different types of elements that makes up this new type set, and the most obvious type hybridity of the new century espionage drama is the staggered and overlapping of the type elements of family ethics drama and suspense reasoning drama. It is worth noting, however, that the timing of the superior subject matter and the market environment does not provide the creators with any lasting protection. The reason for success is quality, not type. In the new century, there are still problems in the creation of espionage dramas, such as the imbalance between plot and characters. This also reminds the majority of creators to pay more attention to the construction of the speculative character of the new century espionage drama while stressing the plot, and inject more value thinking into it. To give it a longer life.
【学位授予单位】：上海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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