基于影视媒介分析的川剧影视剧传播研究

发布时间：2018-05-03 06:21

本文选题：川剧影视剧 + 影视媒介　；参考：《成都理工大学》2014年硕士论文

【摘要】：技术与艺术，总是相辅相成的。川剧作为一种综合性的表演艺术，从产生到发展都受到来自技术的影响。特别是随着大众媒介技术的发展，川剧从故事内容到传播模式，，甚至到艺术形态都发生了巨大的变化。文字与图片是印刷时代川剧摆脱传统口耳相传的束缚向更多人传播的符号形式。广播的产生，通过机械设备和传输技术重现了川剧的唱腔与音乐。而电影和电视技术的发展，为川剧带来了一种新的艺术形态——川剧电影和川剧电视剧。川剧电影、电视剧是一种以川剧为母体，综合运用川剧和影视两种语言进行再创造的影视戏曲类型。从第一部川剧电影的发行到现在，川剧电影、电视剧已经走过了近60个年头。它的传播现状到底如何，值得探讨。论文以川剧电影、电视剧为主要的研究对象，将其研究置身于传播学的五大传统研究内容之一的“媒介分析”之中，以川剧影视剧的传播媒介、媒介效果作为主要的研究方向，综合运用定性与定量的研究方法，探索川剧电影、电视剧的传播现状。论文正文主要分为五个章节。第一章节为引言部分，主要是论述了论文的研究背景、选题意义，同时从宏观的角度对研究现状做了系统的梳理，并由此提出论文研究的设想与具体的研究方法。第二章节主要采用文献法对川剧电影、电视剧的相关概念进行界定，整理了30多部川剧电影、电视剧的详细信息，同时从艺术学的角度审视了研究对象。第三章节，对论文的研究视角——媒介分析做了系统的论述，包括：什么是影视媒介，特点是什么；什么是媒介分析，分析的技巧与方法是什么，如何利用影视媒介分析的视角探究论文的研究主体川剧电影、电视剧。第四章节是论文的重点，分为两个主要小节：媒介技术分析和媒介组织分析。从川剧电影、电视剧的传播媒介和媒介组织两个具体的角度入手，通过文献、问卷、访谈、内容分析等方法，结合其传播效果，探索川剧影视剧的传播现状。第五章节，将川剧电影、电视剧的研究提升到现实问题上——如何利用其振兴川剧。这一部分重点分析了川剧电影、电视剧在振兴川剧方面的优势与不足，由此提出川剧电影、电视剧在振兴川剧过程中的角色定位。论文的结论部分，用“定义与性质”界定了川剧电影、电视剧到底是什么；用“技术与时代”论证了为什么要重视川剧电影、电视剧；用“现状与出路”概况了川剧电影、电视剧的传播现状与困境，并由此提出了相关的策略；用“定位与意义”从宏观上强调了媒介技术对川剧的重要性，强调了川剧电影、电视剧是川剧传承与发展的有效途径。作者也在最后以“后记”的形式对川剧电影、电视剧提出了希望。
[Abstract]:Technology and art always complement each other. As a comprehensive performing art, Sichuan Opera is influenced by technology from its emergence to development. Especially with the development of mass media technology, great changes have taken place in Sichuan opera from story content to communication mode, even to artistic form. Text and picture is the symbol form of Sichuan opera to spread to more people from the traditional word of mouth. Broadcast, through mechanical equipment and transmission technology to reproduce the singing and music of Sichuan Opera. The development of film and TV technology has brought a new artistic form for Sichuan opera-Sichuan opera film and TV drama. The film and TV drama of Sichuan opera is a kind of film and television drama which is created by the combination of Sichuan opera and film and television. Since the release of the first Sichuan Opera film, Sichuan Opera movies and TV series have gone through nearly 60 years. It is worth discussing how the current situation of its dissemination. In this paper, the main research object of Sichuan drama, film and TV series, is the media analysis, which is one of the five traditional research contents of communication. The main research direction is the media of Sichuan drama film and television drama, the media effect as the main research direction. Comprehensive use of qualitative and quantitative research methods to explore the current situation of Sichuan opera film, TV series. The text of the paper is divided into five chapters. The first chapter is the introduction, mainly discusses the research background, the significance of the topic, at the same time from the macro point of view of the status quo of the research made a systematic combing, and from this paper research ideas and specific research methods. The second chapter mainly uses the literature method to define the related concepts of Sichuan opera movies and TV dramas, collates the detailed information of more than 30 Sichuan drama films and TV dramas, and examines the research objects from the angle of art. In the third chapter, the author makes a systematic discussion on the media analysis, including: what is the film and television media, what is the characteristic, what is the media analysis, what are the techniques and methods of the analysis, How to use the visual media analysis to explore the main body of the paper, Sichuan Opera movies, TV series. The fourth chapter is the focus of the paper, divided into two main sections: media technology analysis and media organization analysis. From the two specific angles of the media and media organization of Sichuan drama film and TV series, through the methods of literature, questionnaire, interview, content analysis and so on, this paper explores the present communication situation of Sichuan drama film and television drama. In the fifth chapter, the research of Sichuan opera film and TV play is raised to the practical problem-how to use it to revitalize Sichuan opera. This part mainly analyzes the advantages and disadvantages of Sichuan opera film and TV series in revitalizing Sichuan opera, and puts forward the role orientation of Sichuan opera film and TV drama in the process of revitalizing Sichuan opera. In the last part of the paper, the author defines the film of Sichuan opera with "definition and Nature", proves with "Technology and time" why we should pay attention to the film of Sichuan opera and TV series, and gives an overview of the film of Sichuan opera with "present situation and way out". The present situation and predicament of TV dramas' dissemination and the related strategies are put forward, and the importance of media technology to Sichuan opera is emphasized from the macro view with "orientation and significance", which is an effective way for the inheritance and development of Sichuan opera. In the end, the author puts forward hope for Sichuan opera films and TV series in the form of postscript.
【学位授予单位】：成都理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】