近十年来中国军旅题材电视剧中军人形象的嬗变研究

发布时间：2018-05-03 07:39

本文选题：电视剧 + 军旅题材电视剧　；参考：《河北师范大学》2014年硕士论文

【摘要】：中国的电视剧艺术从1958年至今,尽管经历了短短50年的发展,但发展却是异常迅猛的。有资料显示,从改革开放至今,中国不仅是当今世界上头号电视剧生产大国,还是头号电视剧播出与观众文化消费大国年产量已逾8000集。本文的着眼点是电视剧类型之一的军事题材电视剧,主要分析军事题材电视剧在军人形象塑造上的思考与创新。军事题材电视剧作为众多电视剧类型中的一种,以反映中国革命的重大题材等特殊内容，成为了类型电视剧中较为重要的角色,也被称为“主旋律”电视剧。90年代以来,随着军事题材电视剧与市场结合的不断紧密,军事题材电视剧跳出往常既定叙述和描写模式,不论是在影视语言还是在对典型人物形象的塑造上,都不断寻求创新,摆脱了军事题材电视剧中英雄人物长期以来作为“政治工具”和“道德楷模”的标志性影响,转而回归到真正的艺术审美性上来。从客观上看,它更能体现历史的真实性,将中国军人形象塑造的史无前例的丰满和立体,令观众在观看电视剧的同时产生共鸣。它将英雄的塑造点回归到“人”本身上来,真正从客观角度出发,刻画出更为真实、具体的中国军人形象，创作出一批个性鲜明、具有较强艺术审美性的典型人物和代表作品。军人形象作为构建军旅电视剧的基石，既是其讴歌与赞颂的对象，同时也是弘扬爱国主义与英雄主义精神的重要载体。本文以近十年来我国军旅题材电视剧中的军人形象为研究对象，通过梳理军人形象的发展脉络与嬗变轨迹，分析其在各时期所表现的主要特点，并且对其产生的社会学和美学意义进行了思考与分析。希望为军旅题材电视剧未来的发展与军人形象的进一步建构提供借鉴与参考，为普遍缺乏精神与信仰支撑的迷茫受众，提供值得参照的人物典范与可供汲取的正面价值，，具有积极的作用与意义。论文共分为三大部分，第一章通过对军人形象的发展脉络的梳理，认为剧中人物形象的嬗变主要体现在四个主要方面。第二章主要剖析了军旅剧中人物形象变化的原因。第三章主要从社会和艺术两个角度分析了军人形象嬗变所带来的意义。
[Abstract]:Chinese TV drama art has been developing rapidly since 1958, although it has been developing for 50 years. Some data show that since the reform and opening up to date, China is not only the world's largest producer of TV series, but also the number one TV series broadcast and audience culture consumption country's annual output has exceeded 8000. This paper focuses on the military TV series, which is one of the types of TV dramas, mainly analyzes the thinking and innovation of military TV dramas in shaping the image of military personnel. As one of the many types of TV dramas, military TV dramas have become a more important role in the type of TV dramas to reflect the major themes of the Chinese revolution, and have also been called "main melody" TV dramas since the 1990s. With the combination of the military TV series and the market, military TV dramas jump out of the usual narrative and description mode, whether in the film and television language or in the creation of typical characters, they are constantly looking for innovation. It gets rid of the symbolic influence of the heroes in the military TV series as a "political tool" and "moral role model" for a long time, and then returns to the true artistic aesthetics. From the objective point of view, it can reflect the authenticity of the history, and the unprecedented fullness and stereoscopic portrayal of the image of the Chinese military makes the audience resonate while watching the TV series. It returns the molding point of hero to "human" itself, truly from an objective angle, portrays a more real and concrete image of Chinese soldiers, and creates a group of typical characters and representative works with distinctive personality and strong artistic aesthetic character. As the cornerstone of constructing military TV series, military image is not only the object of eulogy and praise, but also an important carrier to carry forward the spirit of patriotism and heroism. This paper takes the military image in the recent ten years as the research object, analyzes the main characteristics of the military image in each period by combing the developing thread and changing track of the military image. And the sociological and aesthetic significance of its emergence has been considered and analyzed. It hopes to provide reference and reference for the future development of military TV series and the further construction of military image, for the confused audience who generally lack the support of spirit and belief, and for the model of characters and positive value to be drawn from. Have a positive role and significance. The thesis is divided into three parts. The first chapter, through combing the development of the image of the soldiers, thinks that the evolution of the characters in the play is mainly reflected in four main aspects. The second chapter mainly analyzes the reasons for the change of characters in military drama. The third chapter mainly analyzes the significance of the change of military image from two angles of society and art.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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