明清宫殿建筑形式在动画场景设计中的应用研究

发布时间：2018-05-06 14:34

本文选题：宫殿建筑 + 动画场景　；参考：《河北师范大学》2014年硕士论文

【摘要】：近20年来，中国动画产业进入了缓慢的发展阶段，众多国外动画作品涌入中国，使我国观众的需求和审美都发生了重大的变化。分析我国的众多动画片，，大多数都缺乏民族文化内涵，不能很好的通过民族符合和特征打动观众。除此之外，中国动画片过多的跟随国际风格，丢掉了自己的长处，结果也越来越偏离了大众的期待和喜爱。目前在我国对宫殿建筑动画场景设计中的应用的研究非常少。因此，将明清宫殿建筑形式运用到动画场景设计中将具有重要意义，既能更好的配合动画故事和角色进行演绎，又能体现出中国民族文化的博大精深。明清宫殿建筑形式在动画场景中的应用可以帮助影片个性化、本土化风格的塑造，世界动画场景设计正在快速发展，百花齐放的局面已经逐步形成。针对目前现状，国内动画片急需自己风格的特色场景设计，要不断的从明清宫殿等具有代表性的传统建筑中吸取精髓，同时还要在此基础上进行大胆的创新，挖掘动画场景设计的潜在空间。对于场景设计要深入的发掘中国传统建筑的思想文化内涵。明清时期宫殿建筑具有非常深的文化底蕴，是中国建筑美学和社会文化的完美结合。中国宫殿建筑在世界建筑史上具有很高的影响力，是中华民族文化的重要组成部分。我国动画发展应该在关注国际化和多元化的同时，要立足与本土文化。这样就可以在国际市场上形成持久的竞争力。民族的就是世界的，民族的也是传统的、多变的和开放性的系统属性。明清时期宫殿建筑具有独特的审美价值和实用功能，是传统文化与现代文明的结合。因此动画场景设计师要立足于本土文化，在设计和创意中独具匠心，多使用带有中国特色的设计元素，使其既具有真实的美感又要符合故事情景的要求，同时使场景赋予独立的表达能力。本论文从宫殿建筑形式中的特色元素、建筑群布局形式的特点、蕴含的文化内涵与动场景设计中的功能分析、设计风格等方面展开分析，对传统手绘类型和数字化类型动画场景应用范例进行解剖，挖掘我国民族文化题材和中国特色动画片场景设计的传统建筑的应用方法，为下一步的具体应用做好铺垫。中国宫殿建筑形式在动画场景设计中的应用方法研究是从剧本故事发生的历史时期背景和故事发生的地域文化背景来展开的。然后根据剧本设定确定场景风格，收集相关宫殿建筑资料并对动画场景空间和色彩进行细化设计。通过明清时期宫殿建筑形式在动画场景设计中的研究，从多方面寻求中国传统建筑元素并对中国特色动画风格能起到好的指引作用，创造高品质的民族风格动画场景设计，弘扬中国传统文化精髓。
[Abstract]:In the past 20 years, the Chinese animation industry has entered a slow stage of development, and a large number of foreign animation works have poured into China, which has caused great changes in the needs and aesthetics of the audience in our country. The analysis of many animations in our country, most of which lack the connotation of national culture, can not be very good through the national conformity and characteristics to move the audience. In addition, the Chinese animation too much follow the international style, lost their own strengths, the results are increasingly deviated from the public expectations and love. At present, there are few researches on the application of animation scene design of palace architecture in our country. Therefore, it is of great significance to apply the architectural form of palace in Ming and Qing dynasties to the design of animated scenes, which can not only better match the animated stories and characters, but also reflect the broad and profound Chinese national culture. The application of palace architectural form in animation scene in Ming and Qing dynasties can help the film personalization, localization style, the world animation scene design is developing rapidly, and the situation of a hundred flowers blooming has been gradually formed. In view of the present situation, the domestic animation urgently needs its own style characteristic scene design, to continuously absorb the essence from the representative traditional buildings such as the palace in the Ming and Qing dynasties, and at the same time to carry on the bold innovation on the basis of this. Excavate the potential space of animation scene design. For the scene design, we should deeply explore the ideological and cultural connotation of Chinese traditional architecture. The palace architecture in Ming and Qing dynasties had very deep cultural background, which was the perfect combination of Chinese architectural aesthetics and social culture. Chinese palace architecture has a high influence in the history of world architecture and is an important part of Chinese culture. The development of animation in China should focus on internationalization and diversification, and should be based on local culture. In this way, the international market can form a lasting competitiveness. National is the world, national is also traditional, changeable and open system attribute. Palace architecture in Ming and Qing dynasties has unique aesthetic value and practical function, which is the combination of traditional culture and modern civilization. Therefore, animation scene designers should base themselves on local culture, show originality in design and creativity, and make use of the design elements with Chinese characteristics, so that they can not only have a true aesthetic sense but also conform to the requirements of the story scene. At the same time, the scene gives independent expression ability. This paper analyzes the characteristic elements in the form of the palace architecture, the characteristics of the layout form of the building group, the cultural connotation and the functional analysis in the design of the moving scene, and the design style, etc. This paper dissects the application examples of traditional hand-painted and digitized animation scenes, excavates the application methods of traditional architecture of Chinese national culture theme and Chinese characteristic animation scene design, and lays the groundwork for the next concrete application. The research on the application of Chinese palace architecture form in the animation scene design is carried out from the historical background of script story and the regional cultural background of story occurrence. Then according to the script set to determine the style of the scene, collect relevant palace building materials and animation scene space and color refinement design. Through the research of palace architecture form in animation scene design in the Ming and Qing dynasties, we can find out the elements of Chinese traditional architecture from many aspects and play a good guiding role to the animation style with Chinese characteristics, and create high quality animation scene design of national style. Carry forward the essence of Chinese traditional culture.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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