二十一世纪以来中国迷影文化研究

发布时间：2018-05-07 06:54

本文选题：迷影 + 迷影文化　；参考：《中国艺术研究院》2017年硕士论文

【摘要】：上世纪九十年代末期,电影碟片的出现打破了中国传统官营机构对电影作品资源的垄断。越来越多人得以接触到全世界丰富的电影作品之后,对电影产生了独特的痴迷和热爱,在这样的“迷影”情结驱动下,做出一系列自发组织电影放映活动、聚集同好者交流讨论电影的行为,形成了迷影文化。二十一世纪,随着网络在日常生活中的普及进一步打开了观影和交流的渠道后,迷影文化在中国得到了更为多样化的发展:迷影群体通过网络和社交平台撰写影评,聚集讨论、创建迷影空间,甚至自办电影杂志……目前已经在中国的电影文化中发展出了可辨识的风貌,也造成了一定的影响力。而在中国电影的学术研究中,对于迷影文化的研究还有待填补和丰富。本论文意在对迷影文化做出详细阐释后,梳理中国迷影文化的发展脉络,指出二十一世纪以来中国迷影文化的特征和兴起的意义所在。最后对迷影文化的价值进行审视,以此丰富国内关于迷影文化研究的不足。
[Abstract]:In the late 1990s, the emergence of film disc broke the monopoly of traditional Chinese government organizations on the resources of film works. As more and more people have access to the world's rich films, they have developed a unique fascination and love for films. Driven by this "fan shadow" complex, a series of spontaneous film screenings have been organized. The behavior of gathering and discussing films with good people forms the culture of fans. In the 21 century, with the popularity of the Internet in daily life, and further opened up the channels of viewing and communication, fan culture in China has been a more diversified development: fans through the Internet and social platforms to write film reviews, gathered for discussion, Create a fan space and even run your own movie magazine. At present, the film culture in China has developed recognizable features, but also caused some influence. However, in the academic research of Chinese films, the study on the culture of lost films needs to be filled and enriched. The purpose of this paper is to clarify the development of Chinese shadow culture and point out the characteristics and significance of its rise since 21 century. Finally, the value of shadowing culture is examined to enrich the deficiency of domestic research on shadowing culture.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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