香港电影“北上”策略选择

发布时间：2018-05-08 21:32

本文选题：北上 + 文化　；参考：《中国艺术研究院》2013年硕士论文

【摘要】：2003年,CEPA签订促使香港电影人“北上”,此次“北上”涉及电影产业链的各个方面,既有香港明星、导演的“北上”、又有电影公司的“北上”。尽管香港电影与内地电影“本是同根生”,但由于不同的历史社会环境与文化背景,香港电影与内地电影形成了截然不同的美学特色。“北上”之初,香港电影人首先要面对的就是文化的转向,文化身份上从“香港人”到“中国人”转变,电影功能也从“娱乐至上”到“寓教于乐”转向；不同于香港,内地采用电影审查制度代替分级制度,香港电影在不断调整自己以适应内地的政策、文化环境。以夺取票房为目的的香港电影在“北上”之后对题材的选择主要分为西类,大部分电影选择古装历史题材,中小成本电影则聚焦在现实题材。香港电影的优势之一就是有丰富的类型种类,“北上”后也不乏一些新类型的创新,但多数导演采用将其擅长的功夫、喜剧、警匪片进行复制与移植,影片的“翻拍”与“续集”现象普遍。为了更深入的融入内地电影市场,香港电影人在电影叙事上作了多方面的调整,这种调整主要表现为对叙事的文学性、空间性与伦理性的调整。
[Abstract]:The signing of CEPA in 2003 prompted Hong Kong filmmakers to "go north". This time "going northward" involves all aspects of the film industry chain, including Hong Kong stars, directors'"going north" and film companies'"going north". Although the Hong Kong film and the mainland film "originally are the same root", but because of the different historical social environment and the cultural background, the Hong Kong film and the mainland film have formed the distinct esthetics characteristic. At the beginning of "going northward", the first thing Hong Kong filmmakers had to face was the cultural turn. The cultural identity changed from "Hong Kong people" to "Chinese", and the film function changed from "entertainment first" to "education and entertainment"; it was different from Hong Kong. In the mainland, film censorship system is used instead of classification system, and Hong Kong films are constantly adjusting themselves to the mainland's policy and cultural environment. Hong Kong films with the goal of taking the box office are divided into western category after "going north". Most of the films choose the historical theme of antiquated clothes, while the medium and small cost films focus on the realistic theme. One of the advantages of Hong Kong films is that they have a rich variety of types. After "going northward," there are also some new types of innovation. But most directors use the kung fu, comedy, police and bandit films that they are good at to replicate and transplant. The phenomenon of "remake" and "sequel" is common in films. In order to integrate more deeply into the mainland film market, Hong Kong filmmakers have made many adjustments in the film narrative, which is mainly manifested in the literary, spatial and ethical adjustments of narrative.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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