别现代:转型中国的现代影像与尊严坚守——以贾樟柯电影为例

发布时间：2018-05-09 08:19

本文选题：别现代 + 贾樟柯　；参考：《当代文坛》2017年01期

【摘要】：以别现代视角来看,转型中国的现代影像与尊严坚守,构成了贾樟柯影像世界的内在张力,此张力可从三方面来看:一是就物质现代而言,转型之初人们的物质缺失及对底层尊严的坚守,构成了贾樟柯影像世界中关于现代化的初始面貌;二是就体制现代而言,随着现代影响的深入,基于体制应对的不同方式及人物不同的命运,贾樟柯所推崇的兼顾现代物质与传统情义的时代新人开始出现;三是就文化现代而言,在社会不公平、不近情理等精神缺失之际,贾樟柯倡导情义传统的解决方案,显示着其基于民间经验的底层尊严。贾樟柯以新现实主义及后现代艺术技巧,揭示出转型中国的现代化步履,前现代、现代与后现代多元并存而又对抗融合的别现代社会形态,以及在此历程中诸多人物身上折射出的传统情义与人性尊严。
[Abstract]:From a different modern perspective, the modern image and dignity of the transitional China constitute the internal tension of Jia Zhangke's image world. This tension can be seen from three aspects: first, as far as material modern is concerned, At the beginning of the transition, people's lack of material and their adherence to the dignity of the bottom layer constituted the initial appearance of modernization in Jia Zhangke's image world; second, as far as the modern system was concerned, with the deepening of the modern influence, Based on the different ways of dealing with the system and the different fates of the characters, Jia Zhangke advocated the new era, which takes into account both the modern material and the traditional sense. Thirdly, as far as the cultural and modern aspects are concerned, when the society is not fair and the spirit is not close to reason, so is the lack of spirit. Jia Zhangke advocates the traditional solution of love and justice, which shows his basic dignity based on folk experience. Jia Zhangke, with his neo-realism and post-modern art skills, reveals the modern steps in China's transformation. The pre-modern, the pluralistic and the post-modern co-exist and confront the fusion of different modern social forms. And in the course of many characters reflected in the traditional feelings and human dignity.
【作者单位】：上海师范大学人文与传播学院;平顶山学院文学院;
【基金】：国家社科基金项目“别现代语境中的英雄空间解构与建构问题研究”阶段性成果,项目编号:15BZW025
【分类号】：J905

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