论国产动画的成长叙事模式

发布时间：2018-05-09 08:55

本文选题：国产动画 + 成长叙事　；参考：《浙江大学》2013年硕士论文

【摘要】：以“成长”为叙事对象的国产动画在长期创作中,形成了一种惯用成长叙事模式。这种模式在儿童的成长教育方面,取得了一定的成绩,同时也存在很大的问题,不仅影响到了动画片自身的效果,也影响到了国产动画的整体发展。本文结合巴赫金的成长叙事理论及我国动画片实际创作情况,着重界析了国产动画倾向于浅层次成长叙事的惯用模式——教化式成长叙事模式,以大量动画片为实例分析该模式下的三种类型特点：自我醒悟模式、外部说教模式、历险拯救模式,得出惯用成长叙事模式的问题在于成长定位的偏失、意识形态和说教色彩过强,对受众欣赏水平的低估,以及对动画独特艺术手段的展现不足(第一章)。与成长小说和成长电影相比,动画片成长叙事的独特价值在于利用动画自身的特质构建了一个可视可听、夸张变形的虚拟世界,给观众带来的各种成长的可能性,释放观众在成长过程中受到的现实压抑,满足其在现实社会中无法实现的成长欲望以及对理想成长范式的憧憬。动画成长叙事模式的理想形态,就内容主题而言应是以自由而又全面的成长为核心,在轻松而有内涵的幽默中表达出对受众人文而非教化的关怀(第二章)。为此,国产动画的成长叙事亟需改变浅层次成长叙事的创作倾向。革新创作观念,回归动画的艺术特质,是本文结合国产动画成长叙事的现状及教化式惯用模式所存在的问题,和他国动画片中成长叙事所提供的经验和范式,提出的建议和思考(第三章)。但国产动画面对外国动画片的巨大冲击,如何切实在成长叙事上进一步有所发展和改善,还需要各界的共同努力和思考(结语)。
[Abstract]:In the long-term creation of domestic animation, which takes growth as the narrative object, it has formed a kind of customary growth narrative mode. This model not only affects the effect of animation itself, but also affects the overall development of domestic animation. Based on Bakhtin's theory of growth narration and the actual situation of animation creation in China, this paper focuses on the analysis of the customary pattern of domestic animation which tends to be shallow growth narrative-the civilized growth narrative mode. Taking a large number of cartoons as an example, this paper analyzes three types of characteristics of this model: self-awakening mode, external preaching mode, adventure saving mode, and draws the conclusion that the problem of the usual growth narrative mode lies in the bias of growth orientation. The ideology and preaching color is too strong, the audience appreciation level is underestimated, as well as the animation unique artistic means display insufficiency (Chapter 1). Compared with the growth stories and movies, the unique value of the animation growth narration lies in the construction of a visual audible, exaggerated and distorted virtual world using the animation's own characteristics, which brings various possibilities for the audience to grow up. Release the audience in the process of growing up by the reality of repression, meet their unrealizable growth desire in the real society, as well as the ideal growth paradigm vision. The ideal form of the narrative mode of animation growth should be the free and comprehensive growth as the core in terms of the content theme, and express the concern for the humanistic rather than the civilized audience in the relaxed and intension humor (Chapter two). Therefore, the growth narrative of domestic animation needs to change the creative tendency of shallow growth narrative. Innovating the idea of creation and returning to the artistic characteristic of animation are the problems existing in the present situation of the domestic animation growth narrative and the traditional mode of enlightenment, and the experience and paradigm provided by the growth narration in other countries' cartoons. Suggestions and reflections (Chapter III). However, in the face of the great impact of foreign animation, how to further develop and improve the growth narration needs the joint efforts and thinking of all walks of life.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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