卧底江湖的文化症候—《无间道》之后香港卧底片研究

发布时间：2018-05-10 18:09

本文选题：卧底片 + 叙事模式　；参考：《暨南大学》2014年硕士论文

【摘要】：卧底片作为香港警匪片的一种亚类型，以其悬疑色彩的剧情、强烈的冲突和具有悲剧色彩的人物形象等吸引了大批观众。尤其在《无间道》取得了巨大的成功之后，，一时间卧底片蔚为风潮，并逐渐形成了一定的模式。在这些卧底片中，着重表现了卧底的生存状态以及他们面临的各种各样的精神困境，并试图解脱的努力。这与香港这个城市的特殊历史文化背景息息相关，卧底片也成为香港文化的症候式表达。本文运用文本细读、类型研究法，对《无间道》之后的卧底片进行分析，探讨在卧底片发展过程中叙事模式的变化，并分析卧底的精神困境及困境产生的原因，揭示其在蕴含在影片中的文化内涵。在卧底片成为模式之后，自我发展和超越之路。本文主要分为五个部分：绪论；第一章，对香港卧底片的叙事模式进行分析，对比《无间道》前后叙事模式的差异；第二章，主要表现居于困境之中的卧底，并探讨困境产生的原因；第三章，则阐述在香港历史文化背景下，卧底片中的文化意蕴；结语。
[Abstract]:Undercover films, as a subtype of Hong Kong police bandit films, have attracted a large audience with their suspense plot, intense conflict and tragic characters. Especially after the great success of Infernal Affairs, undercover films became popular and gradually formed a certain pattern. In these undercover films, it focuses on the existence of the undercover and the various spiritual difficulties they face, and attempts to extricate themselves. This is closely related to the special historical and cultural background of Hong Kong, and undercover films have become a symptom of Hong Kong culture. In this paper, the author analyzes the undercover films after Infernal Affairs, discusses the changes of narrative mode during the development of the undercover films, and analyzes the spiritual dilemma of the undercover films and the causes of the predicament. Reveal its cultural connotation in the film. After undercover films become models, self-development and transcendence are the way. This paper is mainly divided into five parts: introduction; chapter one, the analysis of the Hong Kong undercover film narrative mode, compare the narrative mode before and after the "Infernal Affairs" differences. The third chapter discusses the cultural implication in the undercover film under the historical and cultural background of Hong Kong.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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