冯小刚喜剧电影特质研究

发布时间：2018-05-13 01:10

本文选题：艺术特质 + 文化特质　；参考：《辽宁大学》2017年硕士论文

【摘要】：喜剧电影的基本要素是“笑”,但是“笑”并不是衡量喜剧电影的唯一标准。优质的喜剧电影不仅能使人观之开怀大笑,而且在笑过之后还能使人若有所思。冯小刚巧妙地将“笑”融入到艺术、文化和商业之中,在给观众带来笑的同时,也引发观众对人生和社会的思考,不仅取得幽默、滑稽和讽刺的喜剧效果,还形成了冯小刚喜剧电影的艺术特质、文化特质和商业特质。第一章从电影本体出发,从幽默的语言、滑稽的情境和典型的人物三个方面分析冯小刚喜剧电影的艺术特质。第二章从文化的角度研究冯小刚喜剧电影的文化特质。文化犹如喜剧电影的胎记,正所谓一个民族有一个民族的文化,一个民族有一个民族的笑话。喜剧电影的笑是需要语境的,冯小刚喜剧电影根植于中国传统文化,富含佛教文化,融合当下流行文化,使传统文化和佛教文化以时尚的方式得到弘扬,从而形成冯小刚喜剧电影经久不衰的文化特质。第三章从商业的视角切入,电影的商业特质并不是单指票房号召力,它主要是指在商业化的过程中创作者的商业化思维和商业化意识,即有目的的有意识地打造电影品牌。冯小刚喜剧电影先固定上映档期、男主角两个重要的品牌要素,而后融合本土化的内容和好菜坞式的包装,既没有完全复制好莱坞电影,又保证其商业特质。第四章从主客观两个方面分析冯小刚喜剧电影特质产生的原因,冯小刚主动地汲引王朔的黑色幽默,形成电影的幽默风格;同时还借鉴刘震云作品中的“深刻”,使电影作品具有更丰富的文化内涵。第五章从编导者、表演者、发行者和翻译者四个方面提出特质传承的策略,以期冯小刚喜剧电影的特质得到普遍的认可和更好的传承。面对开放的电影市场,融合本土化的内容和好菜坞式的包装,创作富含艺术特质、文化特质和商业特质的喜剧电影,不仅有利于打造中国的喜剧品牌,还有利于弘扬中国的喜剧文化,彰显中国的喜剧精神。
[Abstract]:The basic element of comic movies is "laughter", but "laughter" is not the only standard to measure comic movies. Good comedy movies not only make people laugh, but also make people think after laughter. Feng Xiaogang skillfully integrates "laughter" into art, literary and commercial, while bringing laughter to the audience, It also causes the audience to think about life and society, not only has the humorous, funny and satirical comic effects, but also forms the artistic characteristics, cultural characteristics and commercial characteristics of Feng Xiaogang's comedy film. Chapter 1 analyzes the art of Feng Xiaogang comedy from three aspects of humorous language, funny situation and canonical characters from the movie noumenon. The second chapter studies the cultural characteristics of Feng Xiaogang's comedy film from a cultural point of view. Culture is like the birthmark of a comedy film. It is called a nation has a national culture, a nation has a national joke. The comedy movie laughs with the context, Feng Xiaogang's comedy films are rooted in Chinese traditional culture and rich in Buddhist texts. In the third chapter, the commercial character of the film is not a single point of the box office appeal. The third chapter, from the perspective of business, is the commercialization of the creator in the process of commercialization. Thinking and commercializing consciousness, that is, to consciously create a movie brand consciously. Feng Xiaogang comedy film is fixed first, two important brand elements, then the integration of native content and the good Bollywood packaging, neither fully replicate Hollywood film, but also guarantee its commercial characteristics. The fourth chapter from the subjective and objective two sides. The analysis of the causes of the characteristics of Feng Xiaogang's comedy film, Feng Xiaogang actively draws Wang Shuo's black humor, forms the humorous style of the film, and also draws on the "profound" in Liu Zhenyun's works to make the film more rich in cultural connotation. The fifth chapter puts forward the characteristics from the four aspects of the editor, the performer, the issuer and the translator. In the face of the open film market, the integration of native content and the good Bollywood packaging, the creation of comedy films rich in artistic, cultural and commercial characteristics is not only conducive to the creation of Chinese comedy brand, but also to the development of Feng Xiaogang's comedy film. Chinese comedy culture shows Chinese comic spirit.

【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

【参考文献】