新疆电视台纪录片创作研究

发布时间：2018-05-13 02:39

本文选题：新疆电视台纪录片 + 史述　；参考：《陕西师范大学》2013年硕士论文

【摘要】：新疆本土纪录片近年来发展迅速,在国内外有重要影响,尤其是新疆电视台创作的纪录片。独特的风格和个性的创作成为新疆电视台纪录片的显著特点,纪录片从选材角度、制作风格、叙事结构等方面都独树一帜。新疆电视台纪录片因其特殊的地域特点和人文特色而拥有极具辨识度的鲜明风格,其丰富的内容和深刻的主题所构建的少数民族文化景观,成为中国电视纪录片的一大亮点。但新疆电视台出品的纪录片的梳理以及研究在学界尚未完善,本文力图全面系统地梳理其纪录片发展的线索和脉象,分析典型的纪录片作品,总结其叙事艺术和多样化风格,并对其纪录片未来创作和发展提出个人看法,对新疆纪录片的发展和研究提供一定的参考。在引言部分,阐述本文的研究背景和研究动因,以及研究方法和相关的文献综述,介绍新疆电视台纪录片目前发展的背景和优势,指出目前理论领域对新疆电视台纪录片研究的缺失。第一章为新疆电视台纪录片发展轨迹历时研究,这一章分为四节,概述了新疆电视台纪录片的发展历程和阶段性创作走向。1973年开始到1989年,新疆电视台纪录片发展进入创作的前期；90年代为纪录片创作的繁荣阶段,具体为1990年至1999年；从2000年到2004年是新疆电视台纪录片走向国内外市场的成熟时期；2005年至今则为全面进入精品纪录片时代。总结整个发展历史,创作者们经历了初期摸索尝试,依靠联合摄制学习创作,到自主实践探讨实践与创作方法交织,最后到客观纪实、关注细微的多元化叙事方式的实践。第二章分析研究新疆电视台纪录片的叙事艺术,根据新疆电视台纪录片四个时期叙事方式的特点,分析新疆电视台纪录片在不同发展时期的叙事艺术。本章采用案例分析的方法,引用了多部纪录片,从选题、情节、细节、节奏、悬念等方面进行分析,旨在提炼新疆纪录片各个发展时期特有的创作中的叙事特点。第三章探讨新疆电视台纪录片的多样化类型,分别从西域风格和多样化类型来分析其纪录片创作的风格化和多元化,具体研究和分析多部获奖作品的影像风格,以及对新疆电视台历年创作的作品按照内容和主题的不同进行了分类。第四章探讨了目前新疆电视台纪录片选题、创作和定位中存在的问题,对发展前景提出了建设性的建议,同时提出在创作中应该重视的问题。在结语部分阐述了新疆电视台纪录片的独特风格和研究以新疆电视台为代表的新疆本土纪录片的意义,力图为纪录片创作者和研究者提供一点“抛砖引玉”的参考意见。
[Abstract]:Xinjiang local documentary has developed rapidly in recent years and has important influence at home and abroad, especially the documentary created by Xinjiang TV station. The unique style and individual creation become the remarkable characteristic of Xinjiang TV documentary. The documentary is unique from the angle of material selection, production style, narrative structure and so on. Because of its special regional and humanistic characteristics, the documentary film of Xinjiang TV station has a distinctive style of recognition. The rich content and profound theme of the documentary film of Xinjiang TV has become a bright spot of Chinese TV documentary film. However, the research of documentary produced by Xinjiang TV is not perfect in academic circles. This paper tries to comb the clue and pulse of documentary development, analyze typical documentary works, sum up its narrative art and diversified style. The author also puts forward his own views on the future creation and development of his documentaries and provides a certain reference for the development and research of Xinjiang documentaries. In the preface part, this paper expounds the research background and research motivation, as well as the research methods and related literature review, introduces the background and advantages of the development of Xinjiang TV documentary. This paper points out the lack of the research on Xinjiang TV documentary in the field of theory at present. The first chapter is the diachronic research on the development of documentary film of Xinjiang TV station. This chapter is divided into four sections, which summarizes the development course and creative trend of documentary film of Xinjiang TV station. The development of Xinjiang TV documentary came into the prosperous stage of documentary creation in the early 1990s, specifically from 1990 to 1999; The period from 2000 to 2004 is the mature period for Xinjiang TV documentary to enter the domestic and foreign market, and from 2005 to now, it has entered the era of high-quality documentary. Summing up the whole history of development, the creators have experienced initial exploration and attempt, relying on joint film learning and creation, discussing the interweaving of practice and creative methods in their own practice, and finally, to the objective record, to the practice of paying attention to the subtle and diversified narrative methods. The second chapter analyzes the narrative art of Xinjiang TV documentary. According to the characteristics of the narrative mode of Xinjiang TV documentary in four periods, it analyzes the narrative art of Xinjiang TV documentary in different development periods. This chapter uses the method of case analysis, citing a number of documentaries, from the topics, plot, details, rhythm, suspense and other aspects of the analysis, in order to refine the Xinjiang documentary in the development of each unique period of narrative characteristics. The third chapter discusses the diversified types of Xinjiang TV documentary, analyzes the style and diversity of its documentary creation from the style and diversity of the Western region, and specifically studies and analyzes the image style of many award-winning works. As well as the Xinjiang TV works created according to the content and theme of different categories. The fourth chapter discusses the problems existing in the selection, creation and orientation of Xinjiang TV documentary film, and puts forward constructive suggestions for the development prospects, and puts forward the problems that should be paid attention to in the creation. In the conclusion part, the author expounds the unique style of Xinjiang TV documentary and the significance of the research on Xinjiang local documentary, which is represented by Xinjiang TV station, and tries to provide some reference opinions for documentary creators and researchers.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952

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