浅析动画中的节奏美

发布时间：2018-05-13 08:10

本文选题：动画节奏 + 画面　；参考：《大连工业大学》2014年硕士论文

【摘要】：节奏作为重要的动画创作手段广泛的应用于动画艺术中。节奏表现在剧情、声音、动作和镜头的制作中。如果没有节奏那就没有动画艺术中的此起彼伏，也没有了色彩的冷暖差异，更没有通过动画角色表现出的感人精彩画面。节奏的控制与使用作为动画艺术最为重要的特征和与众不同的表现手法，是广大动画艺术的灵魂，是动画创作中新生的血液。因此动画的创作中一定要将节奏放在首要，尊重节奏，节奏是动画艺术生机的源泉。我国市场对于动画的要求是丰富的，，可相比于其他动画强国来说我国的动画表现出来的是弱不禁风的对抗力。继续走市场化道路是让我国的动画竞争力强大的根本。有两个重要的因素决定着我国动画能否强大：1、创作的动力；2、授向的群体。通过对动画艺术中节奏的研究，探求能吸引观众并能节约开支的方法；动画的授向的群体就是观众，经过对各个年龄段的观众他们心中对节奏的理解与倚重的详细分析，打破我国的动画观众片面的格局，在研发出的作品中赋予更高的层次。通过对不同国家的动画艺术作品中节奏的分析、对比研究，提出我国动画中节奏的表现上存在的问题。解析各种类别的动画艺术的节奏，发散思维眼光放远，掌握住整体的节奏。动画艺术的每一部分都离不开节奏，而这每一个环节又相互的制约影响着，每一环节的研究细则是不同的，但它们的方向是共同朝着动画艺术的整体节奏所研究的。本文研究所得结论是我国的动画中节奏的表现应该取决于观众的心理来设计；动作方面的节奏需要细微，细至每一个动画人物的性格，和动画人物的每一个情绪；强调趣味性与个性化的配音选择，还有不能忽视的部分是动画中的音乐与音效，要深刻研究探讨音效的巨大作用，而音乐既要正面的与动画画面统一又要反面的与画面进行衬托。动画艺术中的整体节奏如地基一般奠定了整部作品的基础与基本方向，在此之上通过叙事的节奏、动作的节奏、声音的节奏和分镜头的节奏（第四章）的表现来构成一个完整的整部动画节奏系统。
[Abstract]:Rhythm, as an important means of animation creation, is widely used in animation art. Rhythm is reflected in the production of plot, sound, action and lens. If there is no rhythm, there is no animation art one after another, there is no difference in color, not through animation characters show the moving wonderful picture. The control and use of rhythm, as the most important feature of animation art and distinctive expression, is the soul of animation art and the new blood in animation creation. Therefore, the creation of animation must put rhythm in the first place, respect rhythm, rhythm is the source of animation art vitality. China's market is rich in the requirements of animation, but compared with other animation powers, China's animation shows a weak antagonism. Continue to take the road of marketization is to make our country's animation competitiveness strong fundamental. There are two important factors that determine whether the animation of our country can be powerful: 1, the motive force of creation, the group of direction. Through the study of the rhythm in animation art, we seek ways to attract the audience and save money. The audience is the group to which animation is directed, and through a detailed analysis of the understanding and reliance on rhythm in the hearts of the audience of all ages, Break the one-sided pattern of animation audience in our country, and give a higher level in the works developed. Based on the analysis of rhythm in animation works of different countries, this paper puts forward the problems in the performance of rhythm in animation in China. Analyze the rhythm of various types of animation art, divergent thinking vision, grasp the overall rhythm. Every part of animation art can not be separated from rhythm, and each link restricts each other. The research rules of each link are different, but their direction is towards the whole rhythm of animation art. The conclusion of this paper is that the performance of rhythm in animation in our country should depend on the psychology of the audience, the rhythm of action needs to be subtle, from the character of each animated character to every emotion of the animated character; The emphasis on interesting and personalized choice of dubbing, and the part that can not be ignored is the music and sound effects in animation. We should deeply study the great role of sound effects. And music should not only be positive and animation picture unity, but also opposite to the picture. The whole rhythm in animation art, such as foundation, has laid the foundation and basic direction of the whole work, which is based on the rhythm of narration, the rhythm of movement, The rhythm of the sound and the rhythm of the camera (Chapter 4) constitute a complete system of animation rhythms.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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