“作者电影”理论视域下的王家卫电影研究

发布时间：2018-05-13 10:50

本文选题：作者电影 + 主题　；参考：《山西师范大学》2014年硕士论文

【摘要】：自法国新浪潮领军人物弗朗索瓦·特吕弗(Francois Truffaut)提出“电影作者论”之后，这一理论就正式进入艺术电影的研究中。在中国电影人当中,倡导“作者论”并将其运用到熟练地步的要数香港导演王家卫。王家卫的每一部作品都是自编自导的,并且他的电影都有着独异的电影系统，从而映现出其特有的电影风格。从某种意义上来说，王家卫站在前人的肩膀上将“作者”之路走向了更远。本论文将从王家卫导演的电影作品出发,以作者电影作为指导研究的方法论,将王家卫放于香港电影的大背景中去考量其电影作者的身份，并对其电影作品展开爬梳，力求对王家卫电影的深刻主题、诗意般的视听语言进行分析,并以其电影中最引人瞩目的“画外音”即“旁白”和“独白”为文本做深入考察，研析其作为电影“作者”独特的电影艺术风格；标举出王家卫电影作品所独有的艺术风格和精神内蕴。论文分为五个部分：一、分析研究现状，阐释论文研究意义以及撰文的研究方法；二、论述王家卫的从影历程以及王家卫电影中体现出的“作者”特征，并通过法国新浪潮电影的影响和特吕弗的作者电影理论结合王家卫自身的个人经历和时代背景分析其“作者电影”的形成之路；三、阐释王家卫电影的主题内涵；四、以王家卫电影中独特的视听语言为样本,深入考察其电影的画面、镜头、音乐的审美特质；五、从王家卫电影中的“画外音”即“旁白”和“独白”入手，，用文本细读的方式展开考察，来进一步深入剖析王家卫电影作者的身份。王家卫电影反映和观照现代都市生活面貌，并用风格化的视听影像表征构筑了“王家卫式”的电影风格，而这一风格恰是电影“作者”精神的某一体现,就某种意义来说，值得进行深入的研究。本文立基于前人的研究,把王家卫电影放于“作者电影”论的视野下进行全面的研究,使得王家卫电影研究更加理论化、体系化。同时，对王家卫导演“作者电影”的研究,可以作为华语电影导演研究的一个样本。通过它，近可以窥探整个华语电影圈的状貌；远甚至可以作为探析整个中国当代电影创作的一把钥匙。
[Abstract]:Since Francois Truffaut, the leader of the new wave in France, put forward the theory of "the author of the film", this theory has formally entered the study of art film. Among Chinese filmmakers, Hong Kong director Wang Jiawei is the one who advocates and applies the "author theory" to a level of proficiency. Each of Wang Jiawei's works is self-directed, and his films have a unique film system, reflecting their unique film style. In a sense, Wang Jiawei stood on the shoulders of his predecessors and took the author further. Starting from the film works directed by Wang Jiawei and taking the author's film as the methodology of the research, this paper will put Wang Jiawei in the background of Hong Kong film to consider the identity of its film author, and start a crawl comb on his film works. This paper tries to analyze the profound theme and poetic audiovisual language of Wang Jiawei films, and makes an in-depth study of the most striking "voiceover" and "monologue" in his films. This paper analyzes his unique film art style as an author, and points out the unique artistic style and spiritual connotation of Wang Jiawei's film works. The thesis is divided into five parts: first, analyzing the current situation of the research, explaining the significance of the research and the research methods of the article; second, discussing the process of Wang Jiawei's film and the characteristics of "author" in the Wang Jiawei film. And through the influence of the French New Wave Film and Trevor's author film theory combined with Wang Jiawei's own personal experience and the background of the times to analyze the formation of his "author's film"; third, to explain the theme of Wang Jiawei film connotation; fourth, Taking the unique audiovisual language in Wang Jiawei film as a sample, the aesthetic characteristics of the picture, lens and music of the film are thoroughly investigated. (5) starting with the "voice-over" and "monologue" in the Wang Jiawei film, In order to analyze the identity of the author of Wang Jiawei film, the author of Wang Jiawei film is analyzed in detail. Wang Jiawei films reflect and reflect the modern urban life, and construct the "Wang Jiawei" style with stylized audio-visual images, which is just a reflection of the spirit of the film "author", in a sense. It is worthy of further study. Based on the previous studies, this paper makes a comprehensive study of Wang Jiawei films from the perspective of "author's movies", which makes the study of Wang Jiawei films more theoretical and systematic. At the same time, the research on the author's film directed by Wang Jiawei can be used as a sample of the study of Chinese film directors. Through it, we can get a glimpse of the whole Chinese film circle and even serve as a key to the analysis of contemporary Chinese film creation.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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