镜头、标志与象征符号:直升机在好莱坞越战影片中的隐喻与换喻

发布时间：2018-05-13 14:57

本文选题：好莱坞 + 越战影片　；参考：《当代电影》2017年03期

【摘要】：本文借助结构主义符号学的理论,参照麦茨在电影符号学上的研究思路,增加对于影片文化的分析,从而讨论:1.越战影片的基本元素;2.直升机与镜格中其他元素组合而产生的意义;3.直升机的符号组织的语义系统;4.好莱坞将越战电影的意义呈现给观众的基本模式。在此基础上,本文梳理出直升机在好莱坞越战电影中的具象和意象及其所引发的隐喻和换喻等关系,来对如下观点加以阐述与论证:第一,直升机是好莱坞越战电影中的仪式性符号;第二,直升机的电影语言在越战后期以及越战结束至今的战争片中出现的目的多为呈现意象而非具象。本文希望能够由小见大,由直升机引申至全片,分析美国人对于越战的意识形态和价值观,并探讨好莱坞是如何以这场失利的战争为对象,激发观众对于和平的渴望。
[Abstract]:With the help of the theory of structuralist semiotics and referring to the research ideas of Metz on film semiotics, this paper increases the analysis of film culture, and then discusses the "1: 1". The basic elements of the Vietnam War film. The meaning of helicopter combined with other elements in mirror lattice. The semantic system of the symbolic organization of the helicopter. Hollywood presents the meaning of the Vietnam War film to the audience's basic pattern. On the basis of this, this paper combs out the concrete images and images of helicopters in Hollywood Vietnam War movies and the relation between metaphors and metonymy caused by them, to expound and prove the following viewpoints: first, Helicopter is the ritual symbol in Hollywood Vietnam War movies. Secondly, the purpose of helicopter language appearing in the war films of the late Vietnam War and the end of Vietnam War is to present images rather than concrete images. This paper hopes to analyze the American ideology and values of the Vietnam War from small to large, from helicopter to the whole film, and to explore how Hollywood can arouse the audience's desire for peace by taking the lost war as the target.
【作者单位】：浙江科技学院;浙江大学传媒与国际文化学院;
【分类号】：J905

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