中国独立纪录片纪实风格变迁研究

发布时间：2018-05-14 15:51

本文选题：独立纪录片 + 纪实　；参考：《河北师范大学》2015年硕士论文

【摘要】：独立纪录片在中国出现已经有二十多年,在这二十多年里,独立纪录片在中国的发展十分迅速,从初步萌芽到日益成熟,作为纪录影像一个重要的方面,其对中国的社会现实进行了不一样视角的观照。本文以中国大陆的独立纪录片作为研究对象,对其从纪实风格、创作视角,主体意识等方向进行了解读。全文首先对独立纪录片的概念界定进行解读,厘清独立影像与独立纪录片的概念问题,包含与被包含问题,再将独立纪录片与非独立纪录片,即体制内纪录片,将二者从概念上加以区分,并且指出二者的界限标准,对它们的关系加以分析。文章随后以中国独立纪录片在中国发展的时间阶段为主线,分别从早期萌芽时期、中期探索与发展时期以及后来的兴盛时期这三个发展阶段,对中国独立纪录片进行思考与解读。在早期萌芽阶段,通过对该阶段作品的分析,把本时期总结为“自然主义”纪实时期,从题材、创作主体等方面进行了具体的分析。在中期的探索发展阶段,从“直接电影”与“真实电影”的角度,对该时期的纪实风格进行解读,认为这一时期的创作作品在纪实风格上的体现是“直接电影”与“真实电影”二者的杂糅,并且从该时期创作作品的分析上加以论证。在兴盛时期,中国独立纪录片的创作者们倾向故事化的表达,在作品创作上体现出一种故事化叙事的创作倾向,故事化叙事成为该时期独立纪录片最突出的纪实特征,通过对具体作品的分析论证了这一特征,并且指出该时期的作品在题材上以及创作视角上的特点。自从1990年第一部真正意义上的独立纪录片《流浪北京——最后的梦想者》的诞生一直到现在,独立纪录片在中国的发展只不过短暂的25年,然而伴随着中国社会的迅猛发展,独立纪录片迅速完成了三个阶段的转变,可以预见,其在今后的发展亦是前景广阔。
[Abstract]:Independent documentaries have appeared in China for more than 20 years. In these more than 20 years, independent documentaries have developed very rapidly in China, from the initial germination to the increasingly mature, as an important aspect of recording images. It has carried on the different angle of view to the social reality of China. This paper takes the independent documentary film in mainland China as the research object, and interprets it from the aspects of documentary style, creative perspective, subject consciousness and so on. First, the paper interprets the definition of the concept of independent documentary, clarifies the concept of independent image and independent documentary, including and is included, and then the independent documentary and non-independent documentary, that is, the system of documentary. This paper distinguishes the two from the concept, and points out the limit standard of the two, and analyzes their relations. The article then takes the time stage of Chinese independent documentary development in China as the main line, respectively from the early budding period, the middle exploration and development period and the later prosperous period. To the Chinese independent documentary film carries on the ponder and the interpretation. In the early embryonic stage, through the analysis of the works of this stage, this period is summed up as "naturalism" documentary period, from the subject matter, creative subject and other aspects of specific analysis. From the perspective of "direct film" and "real film", this paper interprets the documentary style of this period in the middle stage of exploration and development. The author thinks that the reflection of the documentary style of the creative works in this period is the mixture of "direct film" and "real film", and proves from the analysis of the creation works of this period. In the prosperous period, the creators of Chinese independent documentaries tended to express themselves in stories, and the creation of works showed a tendency of story narration. Story narration became the most prominent documentary feature of independent documentaries in that period. Through the analysis of the concrete works, this paper demonstrates this characteristic, and points out the characteristics of the works of this period in the subject matter as well as the visual angle of creation. Since the birth of the first truly independent documentary, stray Beijing-the Last Dreamer, in 1990, independent documentaries have been developing in China for only a short period of 25 years, but with the rapid development of Chinese society. The independent documentary has completed the transformation of three stages quickly, and it can be predicted that its future development is also bright.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J952

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