中国西部电影中乡土题材影片的发展历程

发布时间：2018-05-15 03:37

本文选题：西部电影 + 乡土题材　；参考：《陕西科技大学》2014年硕士论文

【摘要】：对于中国西部电影中乡土题材影片的创作可以追溯到上世纪80年代，从《人生》、《野山》、《老井》这几部改革剧变期的现实力作，到《黄土地》、《红高粱》为标榜文化血脉的艺术范本，基于西部乡土地域得天独厚的地域风貌和历史文化背景，再现西部人悲欢情仇，彰显西部社会厚重人文底蕴的一系列乡土题材的西部电影赢得了世界的瞩目，中国西部电影品牌的叫响也与乡土题材的西部电影如影随形。依傍黄河、附着黄土的西部社会是中华农业文明的发祥源泉，浸润在传统农耕文化和宗法伦理制度中的西部社会成为中国最为深沉闭塞的症结所在，在20世纪80年代的中国社会经历新旧更替的冲突与巨变之时，西部农村便成为中国电影人反映改革和建设的“主战场”，乡土题材的西部电影也成为中国电影工作者们抒发艺术情感和文化反思的宣泄窗口，同时蛮荒贫瘠的西部农村也成为改革时期的中国社会的具象缩影，乡土题材成为这一时期的时代主题和现实焦点，进入90年代，时代变迁为中国电影事业带来新的冲击，，随着城市化、市场化的趋势，以乡土题材创作为主的中国西部电影也一度走势低迷，创作数量和质量日趋没落。进入新世纪的乡土题材西部电影回势升温，乡土题材的西部电影突破了固化的创作模式，呈现出更加真实生动的农村故事，然而西部乡土题材电影仍然面临着叫好不叫座的尴尬处境。本文以上世纪80年代后涌现出的乡土题材西部电影为影像参考文本，目的是想从将近三十余年的创作区间中以纵深的角度来挖掘西部乡土题材电影在不同发展时期和时代变革下中的主题演变、叙事阐发、审美追求以及人物塑造等，从而多方面的探讨乡土题材在西部电影中的发展历程和风格流变，并探寻西部乡土题材电影在历史演进过程中的民族性传承和劣根性延伸，从文化选择层面进一步探寻其焕发生命力和影响力的健康发展踪迹。
[Abstract]:The creation of local films in western Chinese films can be traced back to the 1980s. From "Life", "Wild Mountain", "Old well", these several realistic works during the period of reform and upheaval, To "the Yellow Land", "Red Sorghum" as the art model of promoting cultural blood, based on the unique regional style and historical and cultural background of the native areas of the western region, the reappearance of the western people's joys and sorrows. The western films with a series of local themes have won the attention of the world, and the name of the Chinese western movie brands is also accompanied by the local theme of the western movies. Along the Yellow River, the western society attached to loess is the auspicious source of Chinese agricultural civilization. The western society, infiltrated in the traditional farming culture and patriarchal ethics system, has become the most profound and closed crux of China. In the 1980s, when Chinese society experienced the conflicts and changes of the old and the new, the western countryside became the "main battlefield" for Chinese filmmakers to reflect the reform and construction. Western films with local themes have also become a cathartic window for Chinese filmmakers to express their artistic feelings and cultural reflections. Meanwhile, the barren western countryside has also become the epitome of the Chinese society during the period of reform. The local theme has become the theme of the era and the focus of reality in this period. In the 1990s, the changes of the times have brought a new impact to the Chinese film industry. With the trend of urbanization and marketization, The western Chinese films, which mainly focus on the local themes, were also in a downturn, with the quantity and quality of creation declining day by day. Entering the new century, the local themes of the western films have warmed up, and the local western films have broken through the solidified creative mode and presented a more realistic and vivid rural story. However, the western country-themed films still face the awkward situation of not winning the acclaim. This article emerged after the 1980s local theme of western movies for image reference text, The purpose is to explore the theme evolution, narrative analysis, aesthetic pursuit and character shaping of the western local films in different development periods and times from the perspective of more than 30 years of creative period. In order to explore the development process and style of the local theme in the western movies in many aspects, and to explore the national heritage and the extension of the bad nature in the historical evolution of the local theme films in the west. From the aspect of cultural choice, the healthy development of its vitality and influence is further explored.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】