影视动画创作中的动画表演风格比较研究

发布时间：2018-05-16 05:51

本文选题：影视动画 + 表演风格　；参考：《陕西科技大学》2013年硕士论文

【摘要】：动画自其产生以来一直处于不断发展与变化之中，早期的动画创作者们着重于对动画技艺的创新与突破。随着动画艺术的传播，动画制作技术也越来越成熟，在所有制作环节之中，动画表演的创作对整个作品的呈现起到至关重要的作用；它既是动画中期制作的一环，也是最终在观众眼前的展示。动画表演在不同的地域文化孕育之下，经过时间的变迁，被注入了一定的人文精神与历史因素；同时，由于动画是综合的艺术，，与其相关的艺术形式如影视、戏剧、戏曲等都对其的发展变化产生或多或少但不可忽视的影响。正是在这些元素的作用下，在各个导演的把握和实践中动画表演逐渐形成不同的风格，体现不同民族、思想、情感的特殊性，动画表演的形式与风格也往往影响着整部影片的风格走向。本研究是在当前动画表演研究陷入对运动规律无限细致挖掘的瓶颈期，试图打开动画表演研究领域的视野：把动画表演放在一个更高的位置上，将其作为一门独立的并具有较高科研价值的学科进行探究，从理论和实践双方面把对动画表演的研究从动画规律提升到性格化和表演风格的层面；把动画表演的广度放宽到包含叙事模式、视听语言手法、造型设计、文化展示等内容的共同协作。以影视动画表演基本创作元素和方法的普遍性为根据，以不同动画表演风格为研究单位，从不同表演风格的成因、创作规律及表演效果的特殊性中总结出普遍的创作规律，希望以此能为今后的动画表演创作提供一定参考与借鉴。本文作为该研究的结论报告，运用文献分析、比较研究、案例分析等方法，从地域、时间、相关艺术形式以及创作者的个人气质等方面阐述了动画表演风格的流变过程及原因，并通过比较得出不同风格表演之间的联系及各自表现优势，对不同表演风格的创作元素和创作方法进行了系统化的论述与总结，由此得出影视动画表演的发展趋势，且借此研究提出独创性的发展策略。
[Abstract]:Animation has been in constant development and change since its emergence. Early animators focus on the innovation and breakthrough of animation skills. With the spread of animation art, animation production technology is becoming more and more mature. In all production links, the creation of animation performance plays a vital role in the presentation of the whole work. It is not only a part of animation mid-term production, but also a display at the end of the audience.
The animation performance has been injected into the certain humanistic spirit and historical factors under the change of different regional culture and the change of time. At the same time, because animation is a comprehensive art, its related artistic forms, such as film and television, drama, opera and so on, have more or less but can not be ignored. Under the action of the elements, the animation performance gradually forms different styles in the grasp and practice of the directors, reflecting the particularity of different nationalities, thoughts and emotions. The form and style of the animation performance also often affect the style of the whole film.
This study is the bottleneck of the current animation performance research into the limitless excavation of the law of motion, trying to open the field of animation performance research field: put the animation performance in a higher position, and explore it as an independent and high scientific research value, from both theoretical and practical aspects. The study of the performance of the painting is promoted from the law of animation to the level of character and performance style; the breadth of the animated performance is relaxed to the cooperation of the contents including narrative mode, audio-visual language technique, modeling design, cultural display and so on. Based on the universality of the elements and methods of the basic creation of film and television animation, the style of different animation performance is taken as the basis. The research unit, from the causes of different styles of performance, the creation law and the special performance of the performance, summed up the general rules of creation, hoping to provide some reference and reference for future animation performance.
This paper, as the conclusion of the study, uses literature analysis, comparative study, case analysis and other methods, from the areas, time, related art forms and the personal temperament of the creator, expounds the evolution process and reasons of the animation performance style. The creative elements and methods of the performance style are systematically discussed and summarized, thus the development trend of the film and television animation is obtained, and the original development strategy is put forward by this study.

【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

【参考文献】