网络恶搞视频的叙事特征研究

发布时间：2018-05-17 08:32

本文选题：恶搞视频 + 叙事特征　；参考：《重庆师范大学》2013年硕士论文

【摘要】：作为网络文化的一个侧面，网络恶搞视频是网络空间中的一种特殊的文化现象，近年来成为人们关注的焦点，在网络媒体及各大视频网站上占据着重要的位置，网络恶搞视频它不同于传统的网络短片，有着消解经典，，反叛传统的特征，具有强烈的草根性、现实性和幽默感，是一个非常有意义的研究对象。本文主要是以叙事学相关理论为支撑，探讨了网络恶搞视频的叙事特征，主要从叙事主体，叙事技巧、叙事结构、叙事审美等角度进行分析，在总结了网络恶搞视频的叙事特征之后，本文将对恶搞视频衍生的社会现象进行文化层面的透视，揭示其背后折射的草根狂欢仪式。论文由以下章组成：第一章为绪论，主要介绍本文的研究对象、学科基础、研究的目的和意义、国内外研究现状、以及研究方法。第二章对恶搞、恶搞视频的兴起与发展进行追溯，勾勒一个简洁的恶搞历史发展概括，并试图从文化和技术两个方面相结合，对恶搞及恶搞视频进行定义。第三章从叙事学角度出发分析网络恶搞视频的叙事主体，叙事主题、叙事技巧，叙事模式、叙事审美，本文将沿着这样的思路来分析网络恶搞视频的叙事：叙事者站在怎么的视角，运用什么叙事技巧对什么主题进行怎样的叙事，体现出怎样的审美倾向。第四章：将从文化层面出发，运用巴赫金的狂欢理论，分析恶搞视频的草根文化现象，从而进一步揭示恶搞视频存在的本质。
[Abstract]:As a side of the network culture, the network spoof video is a special cultural phenomenon in the cyberspace. In recent years, it has become the focus of people's attention and occupies an important position in the network media and various video websites. It is different from the traditional network video, it has the characteristic of dispelling the classic, rebelling the tradition, having strong grass root, reality and sense of humor, it is a very meaningful research object. Based on the related theories of narratology, this paper probes into the narrative characteristics of the video, mainly from the aspects of narrative subject, narrative technique, narrative structure, narrative aesthetics, etc. After summing up the narrative characteristics of the video, this paper will make a cultural perspective on the social phenomenon derived from the video, and reveal the grass-roots carnival ceremony reflected behind it. The thesis consists of the following chapters: The first chapter is the introduction, mainly introduces the research object, the discipline foundation, the research goal and the significance, the domestic and foreign research present situation, as well as the research method. The second chapter traces the rise and development of goofy video, outlines a brief historical development of parody, and tries to define it from two aspects of culture and technology. The third chapter analyzes the narration subject, the narrative theme, the narrative technique, the narrative mode, the narrative aesthetics of the network parody video from the angle of narratology. This article will follow this thought to analyze the network parody video narration: narrator stands in what angle of view, uses what narrative skill to carry on to what theme narrates, manifests what kind of esthetic tendency. The fourth chapter: from the cultural level, using Bakhtin's carnival theory, this paper analyzes the grassroots cultural phenomenon of the spoof video, so as to further reveal the essence of the existence of the mockery video.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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