数字遮罩绘景在微电影《不会哭的男孩》中的应用

发布时间：2018-05-17 11:41

本文选题：遮罩绘景 + 数字遮罩绘景　；参考：《河北科技大学》2013年硕士论文

【摘要】：《不会哭的男孩》是我联合中国传媒大学导演专业的研究生同学一起制作的一部艺术类型微电影。讲述了一个曾在童年因父母离异受到严重压抑和限制的年轻人，如何一步步克服心理障碍，正视童年经历，走出童年阴影，迎接美好未来的故事。本片由于时间和空间的调度极大，同时伴有现实场景和虚拟场景的转换。因此在影片的拍摄中需要应用大量的数字遮罩绘景技术和后期特效技术。我在片中主要负责完成后期制作部分。遮罩绘景是最早出现的电影特效之一，它在电影技术发展史中占有很大的比重。20世纪末进入数字电影时代，遮罩绘景更焕发出了前所未有的活力。新的数字技术使传统的遮罩绘景有了翻天覆地的变化。数字遮罩绘景技术相比传统遮罩绘景技术，无论是在画面的逼真度上还是在镜头的灵活性上都有了很大的提高和增强。由于可以摆脱一部分的现实场景或环境限制，使导演们的创意思想得到了大幅度的解放。以至于在当今的电影产业中，绝大部分电影都或多或少的应用了这项技术。数字遮罩绘景技术通过构建虚拟的场景，一方面节省了剧组在搭建场景的时间和经费，另一方面更解决了真实场景表现力不足的问题。而且由于无需搭建场景，不对坏境产生任何污染和损坏。本片中数字遮罩绘景的设计和制作可对同类型微电影中的数字遮罩绘景的应用提供有意义的借鉴和参考。
[Abstract]:The Boy who won't cry is an art-type micro-film that I made with my graduate student majoring in director at Communication University of China. This paper tells the story of a young man who was seriously depressed and restricted by his parents' divorce in his childhood, how to overcome psychological obstacles step by step, face up to his childhood experience, walk out of the shadow of childhood, and meet the story of a better future. Due to the scheduling of time and space, this film is accompanied by the transformation of realistic scene and virtual scene. Therefore, a large number of digital shading techniques and special effects techniques are needed in the film shooting. I am mainly responsible for the post-production part of the film. Mask painting is one of the earliest film effects, which occupies a large proportion in the development of film technology. At the end of the 20th century, it entered the digital film era. The new digital technology has revolutionized the traditional shading landscape. Compared with the traditional mask painting technology, the digital mask painting technology has greatly improved and enhanced both the fidelity of the picture and the flexibility of the lens. The creative ideas of directors are greatly liberated because they can get rid of some real scenes or environmental constraints. So that in today's film industry, the vast majority of films are more or less the use of this technology. By constructing virtual scene, digital mask technology saves the time and expense of the crew in setting up the scene, on the other hand, it solves the problem of the lack of expression of the real scene. And because there is no need to build a scene, there is no pollution or damage to the environment. The design and manufacture of digital mask in this film can be used as a reference for the application of digital mask painting in the same kind of micro film.
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J91

【参考文献】