中国电影中的河南形象流变史—（1978-2014）

发布时间：2018-05-17 21:49

本文选题：河南形象 + 类型传播　；参考：《四川师范大学》2016年硕士论文

【摘要】：河南,作为华夏文明、炎黄子孙的发源地,有着无可替代的地域形象价值。同样,河南形象在中国电影银幕中也占有重要的历史地位。从1895年电影诞生至今,河南形象在中国电影银幕上已有一条明晰的历史线索。本文截取新时期作为起点,将河南形象的书写划分为三个阶段,从政治、文化和工业市场三个面向探讨河南形象是什么和为什么的双重问题。并依据每个时期内河南形象银幕展现的不同特点,提炼出电影生产与河南形象的建构关系,媒介传播、受众心理与河南形象的内在联系,以及河南形象在生产、传播过程中出现的偏差所造成的误读、丑化问题。新时期以后的十年是河南形象银幕建构的十年。尤其是《包青天》、《少林寺》、《七品芝麻官》等影片的出现,为河南形象的书写涂上了一层颇为浓厚的政治色彩。该时期河南形象的建构因具备早期类型化电影的雏形,不仅为后来的主旋律电影对干部典型形象塑造打下了坚实的基础,同时也带动了文化的区域传播。90年代,随着主旋律电影、商业片和艺术片的兴起,以《焦裕禄》为代表的河南形象在这一时期承载了更多的精神内涵。与此同时,该时期河南乡土文学为河南形象的银幕展现提供了供丰富的沃土,“作家电影”呼之欲出。而该时期的武侠片也在类型片的发展过程中体现出了不同以往的新特色。新世纪以来,随着电影工业化和商业化的不断壮大,银幕上的河南形象求同存异,探索出了以刘震云为代表的“作家电影”、合拍片和合制片为代表的新生产模式。但该时期也是河南形象银幕传播问题最多的十几年,一系列人物或地域形象的丑化、误读,让河南形象一落千丈。本文共四部分。绪论部分阐述本论文的选题依据、研究意义、分期断代依据、目标、方法以及目前国内外对河南形象学术研究的现状。第一章,以政治表述为切入口,分析河南形象的银幕建构和传播形态。第二章,以文化想象为出发点,探讨世纪之交的十年,河南形象的新发展与新尝试。第三章,以市场化生产为契机,主要探讨河南形象在电影产业发展的大浪潮下所出现的银幕传播问题,以及作家电影的生成与发展。
[Abstract]:Henan, as the Chinese civilization and the birthplace of the Chinese and yellow descendants, has an irreplaceable regional image value. Similarly, the image of Henan also occupies an important historical position in the screen of Chinese film. Since the birth of the 1895 film, the image of Henan has a clear historical clue on the screen of the Chinese film. This article takes the new period as the starting point, The writing of Henan image is divided into three stages, and from the three aspects of political, cultural and industrial market, the dual problems of Henan image are discussed. According to the different features of the image of Henan image in each period, the construction relationship between the film production and the image of the Henan, the media transmission, the audience psychology and the Henan shape are extracted. The inner connection of the image and the misreading and vilified problems caused by the deviation of the image of Henan in the process of production and communication. The ten years after the new period are the ten years of the construction of the image of Henan. Especially, the appearance of the films such as "Bao Qingtian", "Shaolin Temple >", "seven quality sesame officials >" and so on, have painted a very strong politics for the writing of the image of Henan. In this period, the construction of the image of Henan, with the embryonic form of the early typed film, not only laid a solid foundation for the later main theme movie to shape the typical image of the cadres, but also led the cultural region to spread the.90 age, with the rise of the main melody films, commercial films and artistic films, and the Henan shape represented by "Jiao Yulu >". At the same time, it bears more spiritual connotation. At the same time, the Henan local literature provided rich fertile soil for the display of the image of Henan, and the "writer movie" is out of the way. With the growth of industrialization and commercialization, the image of Henan on the screen is seeking common ground, exploring the new production mode represented by Liu Zhenyun as the representative of the "writer movie", the co production film and the combined production. However, it is also the more than ten years of the image of the image of Henan. The image of Henan falls short. This article is a total of four parts. The introduction part expounds the basis of the topic, the significance of the research, the basis of the installment, the target, the method and the present status of the academic research on the image of Henan at home and abroad. The first chapter, with the political expression as the entrance, analyzes the screen construction and communication form of the Henan image. The second chapter is cultural thinking. As the starting point, this paper discusses the ten years of the turn of the century, the new development and new attempt of the image of Henan. The third chapter, taking the market production as an opportunity, mainly discusses the issue of the screen spread of the image of Henan in the big wave of the development of the film industry, as well as the generation and development of the writers' films.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J909.2

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