中国微纪录片的创新研究

发布时间：2018-05-17 23:10

本文选题：微纪录片 + 创新　；参考：《郑州大学》2017年硕士论文

【摘要】：智利纪录片导演顾兹曼曾说,一个国家没有纪录片,就像一个家庭没有相册。在记录客观真实、传播文化信仰、表达自我意识等层面,纪录片有着任何其他类型的影视形式都不可代替的重要价值。互联网高速发展的今天,新媒体时代的到来标志着会有越来越多新的媒介形式出现,微博、微信、微电影等一系列“微”产品的出现,证明受众“微”生活所接受信息的碎片化,高效利用碎片化时间成为这个时代的标志。纪录片也顺应潮流出现新的创作样态——微纪录片顺势而生。作为纪录片的一个分支,微纪录片除了具有纪录片的一切属性外,更以它的“微而小”、“精而美”的独特艺术魅力,在我们的社会生活中发挥着越来越重要的作用。同时,借助新的传播媒介技术及平台,微纪录片的传播影响也越来越大,因此对其系统总结分析就很有必要。论文主要分三章。第一章首先对微纪录片进行概述,阐述微纪录片产生背景,界定微纪录片的概念,并对微纪录片进行分类。将当下微纪录片按照题材的不同分为历史题材、公益题材和人文题材三大类。第二章主要论述微纪录片的艺术创新,分别从艺术理念、视听语言、叙事三个方面分析微纪录片的创新之处。第三章对微纪录片的传播创新进行解读,分别从传播内容、传播媒介、传播效果和传播价值四个方面运用传播学5w模式分析微纪录片中的传播特色。纪录片作为国家发展历程中不可或缺的重要文化宣传工具一直以来坚持以记录真实为原则通过影像对历史重大事件进行记录,我们可以通过纪录片的记录,通过口头历史和影像历史了解曾经发生过的在这个时代之前的我们没有亲眼见到的真实事件。纪录片在传播美学、记录历史、宣传精神文化价值方面具有重要意义,在传播过程中的价值和意义是其他传播工具所不具备的。微纪录片作为纪录片的一个新形态,必然也具有这些功能与价值。微纪录片现阶段发展呈现上升趋势,相信未来微纪录片的受众会越来越多,受众范围也会越来越广,同时,受众发挥自身主观能动性,会带动更多的人参与到微纪录片的传播中去,微纪录片未来的发展也一定有更大的潜力和空间。
[Abstract]:Chile documentary director Guzman once said that a country without documentaries is like a family without a photo album. At the level of recording objective truth, spreading cultural belief and expressing self-consciousness, documentary film has an irreplaceable important value for any other type of film and television form. With the rapid development of the Internet today, the arrival of the new media era marks the emergence of more and more new media forms, such as Weibo, WeChat, micro-movies, and a series of "micro-" products. It is the symbol of this era to prove that the information received by the audience is fragmented and the time of fragmentation is used efficiently. Documentaries also follow the trend of the emergence of a new creative model-microdocumentaries come into being. As a branch of documentary, microdocumentary plays an increasingly important role in our social life with its unique artistic charm of "tiny and small" and "fine and beautiful". At the same time, with the help of the new media technology and platform, the influence of microdocumentary is more and more great, so it is necessary to summarize and analyze it systematically. The paper is divided into three chapters. The first chapter summarizes the microdocumentaries, explains the background of microdocumentaries, defines the concept of microdocumentaries, and classifies microdocumentaries. According to different themes, micro-documentaries are divided into three categories: historical theme, commonweal theme and humanities theme. The second chapter mainly discusses the art innovation of microdocumentaries, respectively from the artistic concept, audio-visual language, narrative three aspects of micro-documentary innovation. The third chapter interprets the communication innovation of microdocumentaries, and analyzes the communication characteristics of microdocumentaries from four aspects: communication content, media, communication effect and communication value. As an indispensable cultural propaganda tool in the course of national development, documentaries have always adhered to the principle of documenting the truth of history. We can record major historical events through documentaries. Learn through oral and video history what happened before this era we did not see with our own eyes. Documentary film plays an important role in spreading aesthetics, recording history and propagating the value of spiritual culture, and the value and significance in the process of communication are not possessed by other means of communication. As a new form of documentary, microdocumentaries must also have these functions and values. The development of microdocumentaries is on the rise at the present stage. I believe that in the future, the audience of micro-documentaries will be more and more numerous, and the audience will also have a wider and wider range of audiences. Will drive more people to participate in the dissemination of microdocumentaries, the future development of microdocumentaries must also have greater potential and space.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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