电影《世界尽头》的超公共期待视域设计

发布时间：2018-05-18 07:36

  本文选题：期待视域 + 心理定式　； 参考：《电影文学》2017年06期

【摘要】：随着传播技术的进步,很多国家的娱乐消费者的娱乐审美水平和倾向都趋于同化。观众公共期待视域是影视作品的活动范围,是观众和创作者相互影响共同建立的范围。只有了解观众的审美经验,了解观众的期待视域,才能最大限度地保证影视作品被观众接受。而影片《世界尽头》的双故事线设计看似却脱离了公共期待视域。其成功在于在商业娱乐层面满足了观众轻松观赏的需求,不仅开创了新的故事模式,还以两个不同角度把赞美自由的主题表达得特别深刻。
[Abstract]:With the development of communication technology, entertainment aesthetic level and tendency of entertainment consumers tend to assimilate in many countries. The horizon of public expectation of audience is the scope of activity of film and television works, and the scope that the audience and creators influence each other. Only by understanding the aesthetic experience of the audience and understanding the horizon of the audience's expectation can the film and television works be accepted by the audience to the maximum extent. The double-story line of the film the end of the World seems to be out of view of public expectation. Its success lies in meeting the needs of the audience to watch easily at the level of commercial entertainment. It not only creates a new story model, but also expresses the theme of freedom from two different angles.
【作者单位】： 东北师范大学人文学院;
【基金】：吉林省教育厅“十二五”社科项目“观众认知与影视虚构的关系研究”的阶段成果
【分类号】：J905
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本文编号：1904987