《长江图》的东方美学意象

发布时间：2018-05-18 22:34

  本文选题：《长江图》 + 东方意象　； 参考：《电影文学》2017年21期

【摘要】：凭借《长江图》,导演杨超获得了金熊奖第66届柏林国际电影节的提名。从影片的叙事内容看,《长江图》是一部野心颇大的影片,它尝试在爱情、命运、宗教、环境等各种巨大的命题中转圜。而它又是一部充满着东方审美和中国传统文化气质暗合的影片,其美学价值既表现在影片精美独特的影像画面,又表现在影片丰富隐秘的叙事内核;其带来的审美价值既包括其工业与自然、人与河流之间隐秘又复杂的关系,也包含了一种对人类文化的审美。
[Abstract]:Director Yang Chao was nominated for the 66 th Berlin International Film Festival for the Golden Bear Award. From the narrative content of the film, "the Yangtze River Picture" is a rather ambitious film, it tries to change in love, fate, religion, environment and other huge propositions. And it is a film full of oriental aesthetics and Chinese traditional cultural temperament, its aesthetic value is not only in the film's exquisite and unique image, but also in the rich and secret narrative core of the film; The aesthetic value it brings includes not only its industry and nature, the secret and complex relationship between man and river, but also the aesthetic of human culture.
【作者单位】： 长春科技学院;
【分类号】：J905
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本文编号：1907515