专题片《老尹的风雨年画路》创作阐述

发布时间：2018-05-19 23:28

本文选题：专题片 + 《老尹风雨年画路》　；参考：《昆明理工大学》2017年硕士论文

【摘要】：非物质文化遗产是以人为载体,以口传心授的方式代际传承的鲜活文化,是祖先留给我们的宝贵财富。然而,在文化娱乐方式多样化的今天,我国的许多非物质文化遗产正面临着消亡的危险。因此,保护和传承我国的非物质文化遗产不但必要而且十分紧迫。而影像的方式可以在非物质文化遗产的记录和传播中发挥重要作用。源远流长的历史,地处中原的起源地,使朱仙镇木版年画形成了自己独特的艺术形态,在2006年被列入中国第一批非物质文化遗产;非物质文化遗产是以非物质形态存在,与人息息相关,是依靠社会与家族代代相承的传统文化表现形式。因此选择以专题片的形式把朱仙镇木版年画天成老店传承人尹国全作为拍摄主线,儿子尹金堂作为辅线,不仅叙述朱仙镇木版年画传承人尹国全从事木版年画的坎坷经历,而且透过对他的讲述折射朱仙镇木版年画近几十年来的兴衰荣辱,通过对他的生活,他的艺术创作等多方面的拍摄,从一个侧面反映展现出了朱仙镇木版年画的现状;通过与儿子经营方式的对比表现了在现代大众文化的冲击下,木版年画传承人对传统民俗文化和艺术的坚守与传承。专题片《老尹的风雨年画路》是在有关专题片理论知识的指导下在查阅大量木版年画文献资料的基础上,通过多次实地调研最后决定,进行拍摄的。创作过程主要分为三个部分:前期准备、中期拍摄和后期剪辑。论文是对专题片《老尹的风雨年画路》的创作过程进行了介绍,对创作中的一些想法和探索进行了阐释,对创作中的一些经验进行了总结,对创作中的一些不足进行了反思,有利于笔者创作水平的提高。
[Abstract]:Intangible cultural heritage is a kind of fresh culture which is passed on from generation to generation in the form of oral instruction and is the precious wealth left to us by our ancestors. However, with the diversification of cultural entertainment, many intangible cultural heritages in China are facing the danger of extinction. Therefore, the protection and inheritance of our country's intangible cultural heritage is not only necessary and very urgent. The way of image can play an important role in the recording and dissemination of intangible cultural heritage. With a long history and a place of origin in the Central Plains, the wooden New year paintings of Zhu Xianzhen have formed their own unique artistic form and were listed as the first batch of intangible cultural heritage in China in 2006; the intangible cultural heritage exists in the form of immaterial. Closely related with people, it depends on the traditional cultural expression of the society and the family from generation to generation. Therefore, in the form of a special feature film, Yin Guoquan, the inheritor of Zhu Xianzhen woodblock New year painting, Tiancheng Laodian, and Yin Guoquan, son of Yin Jintang, as the main line, not only narrates the bumpy experience of Yin Guoquan, the inheritor of Zhu Xianzhen wooden New year painting inheritor, engaged in woodcut New year painting. And through his narration refraction Zhu Xianzhen woodplate New year painting in recent decades of rise and fall, through his life, his artistic creation and many other aspects of photography, from a side to reflect the present situation of Zhu Xianzhen woodblock New year Pictures; Through the contrast with the son's management mode, it shows that under the impact of the modern popular culture, the inheritors of the wooden New year Pictures stick to and inherit the traditional folk culture and art. Under the guidance of theoretical knowledge of relevant feature films, the feature film "Old Yin's Rain New year Pictures" was taken on the basis of consulting a large number of documents of woodblock New year pictures and finally decided through many field investigations. The creative process is mainly divided into three parts: pre-preparation, mid-term shooting and post-editing. The paper introduces the creative process of the feature film "Old Yin's New year painting Road", explains some ideas and explorations in the creation, summarizes some experiences in the creation, and reflects on some shortcomings in the creation. It is beneficial to the improvement of the author's creative level.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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