曹保平电影隐性叙事研究

发布时间：2018-05-20 00:00

本文选题：曹保平 + 隐性叙事　；参考：《河南大学》2017年硕士论文

【摘要】：曹保平的作品大都含有多元化的人物设置、激烈的情感冲突和轻快的叙事节奏,在有限的时间内,将故事内容合理的整合在叙事空间中,并通过对人、事的挖掘和重组,诠释出新的主题和意义。在兼顾市场商业化的同时,曹保平又赋予了影片很深的艺术魅力,传达出了一种强烈的“态度和情感”。曹氏电影既存在于已有的影院商业体系内,又和主流商业电影的类型、样式有着明显的区别,融入了非常个人化的艺术、情感和态度。本选题是对曹保平电影隐性叙事的研究,包括对影片的解读、以及导演用何种方式建构这种叙事方式,并探寻隐性叙事下的故事情节的演变。在冲突与张力的主基调下,透露的是导演曹保平对人性的洞察和思考,这是对人物设置和情感冲突交织下人性深处情感的外在体现,是对社会万象的关注与考量,是导演自身对选材、角色、场景的高标准、严要求的表现。相对于大众文化下的快餐消费,曹保平并没有丢弃影片的艺术魅力。在创作的同时,他运用多种方式增加影视作品的厚重感、可看性和神秘性,其中之一就是“隐性叙事”的运用。他以人物角色及情感冲突来增加故事的“隐性”意义,使得作品主题上升到了一个新的高度。“隐性”成为他影片中不可缺少的一种元素,尤其是直观的敏感题材中,这种“隐性”的叙事方式更能达到一种折中的效果,在商业化、大众化的浪潮中独树一帜。本文共分为五个部分,第一部分为曹氏电影与隐性叙事的概述,对于曹保平个人经历、创作理念有一个整体的把握,同时,梳理隐性叙事的认知演变,并总结归纳隐性叙事的特征,再次从整体上把握曹保平电影的隐性呈现。第二部分将以曹保平电影的代表作品为例,从隐性叙事的主题、隐性叙事的结构以及隐性叙事的人物塑造等几个方面来分析影片中隐性叙事的呈现形式。第三部分为曹保平电影中通过隐性叙事所体现的社会映像,通过其作品表达了作为导演的曹保平对社会话题、社会群体的关注和思考。第四部分为电影在隐性追寻过程中的一些思考,以及隐性叙事所遵循的适度原则。第五部分为结语,再次从整体上把握曹保平电影的隐性意义,并体会其在电影制作过程中对商业与艺术的平衡,以及对所承担社会责任感的积极认可。曹保平导演对电影创作有着极高的热情,同时,他擅长把自己对社会文化现象的观点和看法融入到典型的人物角色、群体类型中去,以隐性叙事透过影片表达他对这个社会的强烈责任感。隐性叙事是隐藏在显性情节之下的,与显性情节的发展是相互而生的,两者所形成的关系是一种补充性或颠覆性的,同时,隐性叙事有利于悬念设置,便于制造紧张、神秘的气氛。除了与影片主题相关的情节外,隐性叙事还能在一定程度上体现以直观方式难以表达的社会问题。文章通过隐性叙事主题、隐性叙事的结构、隐性人物塑造以及隐性叙事过程中的追寻与思考等几个方面,对曹保平电影进行解读,向人们展示了隐性叙事在电影中的可取之处,同时对现代电影制作提供一己之力。
[Abstract]:Most of Cao Baoping's works contain diversified character settings, intense emotional conflict and brisk narrative rhythm. In a limited period of time, the content of the story is integrated into the narrative space, and new themes and meanings are interpreted through the excavation and reorganization of people and things. While taking into account the commercialization of the market, Cao Baoping has given a shadow. The deep artistic charm of the film conveys a strong "attitude and emotion". Cao's films exist both in the commercial system of the cinema, and are distinctly different from the types and styles of the mainstream commercial films, and are integrated into the very personal art, emotion and attitude. This topic is a study of the recessive narrative of Cao Baoping's films, including the study of the recessive narrative. The interpretation of the film, as well as the way the director constructs this narrative way, and exploring the evolution of the storyline under the recessive narrative. Under the main tone of the conflict and tension, it reveals the insight and thinking of director Cao Baoping on human nature, which is the external embodiment of the deep emotion of human nature interwoven with the character setting and the emotional conflict, and is the society to the society. At the same time, Cao Baoping has not discarded the artistic charm of the film. At the same time, he uses a variety of ways to increase the heavy sense of film and television works, and one of them is "visible and mysterious". Using the recessive narrative, he added the "recessive" meaning of the story with the character role and the emotional conflict, which made the theme of the work up to a new height. "Recessive" has become an indispensable element in his film, especially in the intuitive and sensitive subject, this "implicit" narrative way can achieve a compromise effect. This article is divided into five parts in the tide of commercialization and popularization. This article is divided into five parts. The first part is the outline of Cao's film and recessive narration. It has a holistic grasp of Cao Baoping's personal experiences and creative ideas. At the same time, it combs the cognitive evolution of recessive narrative and summarizes the characteristics of recessive narrative. The recessive presentation of Cao Baoping's film. The second part will take the representative works of Cao Baoping's film as an example, from the theme of recessive narrative, the structure of recessive narrative and the portrayal of the recessive narrative in the film. The third part is the social reflection of the recessive narrative in Cao Baoping's film. Like, through his works, it expresses the attention and thinking of Cao Baoping to the social topic and the social group as the director. The fourth part is the thinking of the film in the process of recessive pursuit, and the moderate principle that the recessive narrative follows. The fifth part is the conclusion, again, to grasp the recessive meaning of Cao Baoping film from the whole, and experience it in the electricity. The balance between commerce and art and the positive recognition of the sense of social responsibility in the process of shadow production. Director Cao Baoping has a great enthusiasm for film creation. At the same time, he is good at integrating his views and views of social and cultural phenomena into the typical character role, in the group type, and by recessive narrative to express him through the film. The strong sense of responsibility for this society. Hidden narration is hidden under the explicit plot, and the development of the dominant plot is mutual and born. The relationship between the two is complementary or subversive, while the recessive narrative is beneficial to the suspense setting and makes it easy to make the tense and mysterious atmosphere. Besides the plot related to the film, The recessive narrative can also reflect the social problems which are difficult to express in a certain way. Through the recessive narrative theme, the structure of the recessive narrative, the recessive character molding and the pursuit and thinking in the recessive narrative, the author unscramble the Cao Baoping film and show the desirability of the recessive narrative in the film. It also provides some support for modern film production.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

【参考文献】