新西部电影视域下王全安导演影像叙事风格研究

发布时间：2018-05-20 18:03

本文选题：西部电影 + 新西部电影　；参考：《陕西科技大学》2014年硕士论文

【摘要】：新西部电影在电影行业中最早是作为一种文化概念而被提及到。首先，站在历史发展的维度上，当下的社会文化语境相较于西部电影刚刚诞生之时，已经有了翻天覆地的改变，西部的定义、西部的风情、西部的环境、西部的地缘文化也产生了很大的衍变。其次，站在文化姿态的层面上，第五代导演所打造出的西部电影以及他们作品中所蕴含的文化概念早已变做一个文化标志。正因如此，假若作品中的文化姿态依旧保持着一成不变，那么就存在着失去票房、失去受众的可能性。艺术最担心的是会有雷同出现，前辈们所打造的品牌效应和杰出导演们所带来的冲击无疑是不容小觑的。后继者若是想找到能挣脱上一代辉煌成就所造成的禁锢的道路，就必须培养出新观点、新方式、新视域，这样才能打造出一个新的适合自己的成长环境。从理论含义上看，第五代导演们从上世纪80年代开始，经过不懈奋斗已经从不同方面将西部电影提高到一个高位，而第六代导演白手起家经过不断努力将西部电影推进到了另一个新的高位（即新西部电影的出现）。本文研究的王全安导演就是第六代导演中土生土长于西部并且颇具西部特色的一位，他所拍摄的电影都蕴含着浓郁的西部风情和多彩的艺术特色，尤其是他近期的作品更可以称得上是新西部电影的代表。文章的主要内容包括以下四个部分：首先，绪论部分是本文的选题目的、选题意义、早前关于王全安导演相关研究情况的归纳。其次，笔者就西部电影、新西部电影等跟本文研究对象有关的词语进行了相应的简析介绍，主要为了更好地诠释王全安导演作为第六代导演中的一位代表，在新西部电影流派中的位置及作用。第三，通过将王全安导演四部既彰显西部传统特色，又能够展现新西部电影风采的影片作为研究基础，，按照影片上映的时间顺序对作品一一进行解读，并在西部电影与新西部电影之间使用了横向对比的研究方式，探索了王全安导演在新西部电影视域下所展示出的影像叙事风格。论文的重点在于王全安导演作品的影视影像叙事风格研究，利用王全安导演四部大作中的人物形象、视听语言、民俗运用三个方面对导演风格进行学术研究，以借此分析出新西部电影视域下王全安导演影像叙事风格的独特魅力所在。最终，结合对王全安导演的研究和对新西部电影发展现状的研究，提炼出了一些对新西部电影以及当下中国电影发展的建议与研究心得。
[Abstract]:New Western movies were first mentioned as a cultural concept in the film industry. First of all, standing on the dimension of historical development, the current social and cultural context has changed dramatically compared with the time when the western movies were just born, the definition of the west, the customs of the west, the environment of the west, The geopolitical culture of the west has also produced great changes. Secondly, on the level of cultural posture, the western films made by the fifth generation directors and the cultural concepts contained in their works have long changed into a cultural symbol. Because of this, if the cultural posture in the work remains unchanged, then there is the possibility of losing the box office and audience. Art is most worried about the emergence of the same, the previous generation of brand effects and the impact of outstanding directors is certainly not to be underestimated. If the successors want to find a way out of the previous generation of brilliant achievements caused by imprisonment, we must cultivate new ideas, new ways, new horizons, so as to create a new environment suitable for their own growth. From a theoretical point of view, since the 1980s, the fifth-generation directors have raised the western films to a high level from different aspects through unremitting efforts. And the sixth generation of directors started from scratch to push Western movies to another new high (the emergence of New Western movies). Director Wang Quanan, who is studied in this paper, is one of the sixth generation directors born and raised in the west. The films he makes all contain rich western customs and colorful artistic characteristics. In particular, his recent works can be said to be the representative of the New West film. The main contents of the article include the following four parts: first, the introduction part is the purpose of the topic, the significance of the topic, earlier on about Wang Quanan director related research. Secondly, the author makes a brief analysis of the words and expressions related to the research object of this paper, mainly in order to better interpret Wang Quanan as a representative of the sixth generation of directors. The position and function in the New Western Film genre. Third, by using the four films directed by Wang Quanan, which not only highlight the traditional characteristics of the west, but also show the style of the new western movies as the research basis, the works are interpreted one by one according to the time sequence of the films being released. In addition, the author uses the research method of horizontal contrast between the western film and the new western film, and explores the image narrative style that Wang Quanan shows in the new western film field of view. The focus of the thesis is on the film and video narrative style of director Wang Quanan's works. The author makes an academic research on the director's style from three aspects: character image, audiovisual language and folk custom in Wang Quanan's four masterpieces. In order to analyze the new western film under the vision of Wang Quanan director of the unique charm of the image narrative style. Finally, combined with the research of director Wang Quanan and the present situation of the development of the new western movies, some suggestions and research experiences on the development of the new western movies and the current Chinese films are extracted.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】