李玉电影中的女性形象及女性意识研究

发布时间：2018-05-20 23:42

本文选题：李玉 + 女性电影　；参考：《西南大学》2015年硕士论文

【摘要】：电影作为一种用形象打动心灵的艺术历来深受人们的喜爱。①近年来随着中国电影创作形式的局面和市场氛围的多样化,中国电影产业迎来了广阔的发展空间,“百花齐放”的文化格局为中国电影市场营造了更广大的平台,这使得“女性”这个命题在电影的多元化背景下饱受关注,更使得越来越多的影片将目光转移到了女性的生存状态上,以特色各异的艺术方式去演绎和展现她们感情故事的酸甜苦辣。而李玉作为国内为数不多却又独具个性的女性导演,她的电影体现着独特的女性意识。从2001年到2012年,李玉拍摄了《今年夏天》、《红颜》、《苹果》、《观音山》、《二次曝光》五部电影,创造了不同人物性格与人物命运的女性形象,也在影视界引起了众多电影评论家的关注。但评论家们关于李玉电影中女性形象的塑造与女性意识的觉醒,却缺乏系统的研究和更加深入的思考。本文以李玉电影为切入点,分析女性人物形象及其蕴涵的女性意识,以此探讨李玉电影的创作特点和独特性。首先,本文要对女性电影的定义和发展进行简单回顾,这一理论是中国女性电影理论分析的重要支撑。第一章解释“李玉电影”、“女性形象”、“女性意识”相关概念并探讨李玉电影的研究现状。第二章介绍李玉如何兼容女性的身份与女性作者这两个相得益彰的重要角色,通过李玉的生平事迹来分析其创作风格形成的原因。第三章是探讨李玉电影中的女性形象塑造,从打破母亲神话的女性形象塑造和世俗生活中的女性悲剧形象两个方面对李玉电影中女性形象的人文内涵进行剖析。第四章是研究李玉电影的女性意识,梳理李玉电影中女性意识的发展脉络。第五章主要讨论在李玉电影发展过程中存在的价值和不足之处,促进女性主义电影未来更好的发展。
[Abstract]:Film as a kind of art that has been deeply loved by people. In recent years, with the situation of Chinese film creation form and the diversification of market atmosphere, the Chinese film industry has ushered in a broad space for development. The cultural pattern of "letting a hundred flowers blossom" has created a broader platform for the Chinese film market, which has made the proposition of "women" receive much attention in the context of film diversity. More and more films will focus on women's living conditions, with different artistic ways to deduce and show their love story sweet and bitter. As one of the few female directors in China, Li Yu has a unique female consciousness in her films. From 2001 to 2012, Li Yu shot "Summer of this year", "Beauty", "Apple", "Guanyin Mountain", "second exposure" five films, created different characters and characters fate of the female image, also attracted the attention of many film critics. However, critics lack systematic research and more in-depth thinking about the portrayal of female images and the awakening of female consciousness in Li Yu's films. Based on Li Yu's films, this paper analyzes the images of female characters and their female consciousness, and probes into the creative characteristics and uniqueness of Li Yu's films. First of all, this paper reviews the definition and development of female film, which is an important support for the theoretical analysis of Chinese female film. The first chapter explains the concepts of Li Yu film, female image and female consciousness, and discusses the present situation of Li Yu film research. The second chapter introduces how Li Yu is compatible with the female identity and the female author, the two complementary important roles, through the life story of Li Yu to analyze the reasons for the formation of his creative style. The third chapter is to discuss the female image in Li Yu's movies, and analyze the humanistic connotation of the female image in Li Yu's film from the aspects of breaking the mother's myth and the female tragic image in the secular life. The fourth chapter is to study the female consciousness of Li Yu's films, combing the development of the female consciousness in Li Yu's films. The fifth chapter mainly discusses the value and deficiency in the development of Li Yu's films, and promotes the better development of feminist films in the future.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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