皮克斯动画电影叙事特征研究

发布时间：2018-05-21 00:26

本文选题：皮克斯动画电影 + 叙事结构　；参考：《重庆大学》2013年硕士论文

【摘要】：皮克斯的动画在全球动画界中具有无可替代的地位，既有可观的票房成绩，，又在国际上屡获大奖。本文应用叙事学、符号学、传播学和接受美学的相关理论，通过分析皮克斯1984——2012年间推出的13部长片和21部短片，找出其惯用的叙事特征以及影片的深层意识和价值取向，试图从另一个角度探讨皮克斯动画电影成功的原因。第一章为绪论，主要是评述皮克斯动画电影的研究现状、本选题的研究目标、研究方法、研究意义、研究的创新点以及写此篇文章的文献综述。第二章主要是介绍皮克斯动画工作室（PixarAnimation Studios）的成就及其动画电影的发展历程：在1984年——2012年出品的主要作品以及所获得的荣誉，从制作《小台灯》后赚取第一桶金到夺取奥斯卡电影的桂冠，皮克斯如何在技术上和艺术上创造出了一个又一个的神话。第三章总结出皮克斯动画电影的叙事结构及特征。皮克斯在二十八年的发展历程中，都始终乐此不疲的用经典好莱坞叙事模式传统的线性叙事结构来组织情节。在剧情设置上二元对立关系一直是皮克斯一贯的手法，纵观皮克斯动画电影都存在着两组对立关系，一组是主角与配角的对立，一组是主角与社会的对立。皮克斯动画电影借鉴类型电影的元素，形成了不同的风格，例如冒险片、喜剧片、科幻片、动作片。与类型片的融合也使得皮克斯动画电影符合类型片的叙事结构特性，例如，二元性、可预见性、象征性和功能性等。第四章集中论述了皮克斯动画电影故事的模式组成要素——角色、情节和空间，以及反映的主题和社会热点问题，皮克斯动画电影主题呈多元化，为了实现梦想艰苦奋斗、对亲情的依赖和渴望、友情也闪烁光芒以及质朴浪漫的爱情。皮克斯动画电影不但能为观众带来身心舒畅的娱乐效果，也是一面富有教育意义的“社会之镜”，通过动画特有的讽刺喜剧形式，直击人们关注的热点社会问题，如单亲家庭的教育问题、环保问题、学术造假问题、钉子户问题、肥胖问题等。第五章以符号学理论为支撑，论述皮克斯动画电影中的每一个符号元素内在的叙事含义，以及隐藏的信息和创作者的观点。角色符号、镜头符号、声音符号是皮克斯动画电影视听表意体系的基本元素。通过上面的分析，可以归纳出皮克斯动画电影的叙事特征，揭示其内在隐含的文化观念和价值判断，以及这些观念所承载的丰富的内涵，将艺术深度和经济利益有效的结合在一起，为动画电影的创作提供了可借鉴的案例。
[Abstract]:Using narratology , semiology , communication and receptive aesthetics , the paper tries to find out the narrative characteristics and the deep consciousness and the value orientation of the film , and try to explore the reasons of the success of Picks ' animation film from another perspective .

The first chapter is the introduction , mainly about the research situation of Picks animation film , the research goal , the research method , the research significance , the innovation point of the research and the literature review of this article .

The second chapter mainly introduces the achievements of Pix Animation Studio and the development of animation film : the main works and the honors obtained from 1984 _ 2012 , from making the first barrel gold to the laurel of Oscar - winning film after the production of the small table lamp , and how Picks created a yet another myth in technology and art .

In chapter 3 , the narrative structure and characteristics of Picks animation film are summarized . In the course of the twenty - eight years ' development , Pix has always used the traditional linear narrative structure of classic Hollywood narrative pattern to organize the plot .

The fourth chapter focuses on the mode composition elements , characters , plots and spaces of Picks animation film story , as well as the theme and social hotspot issues , and the theme of Picks animation film is diversified . In order to realize the dream hard struggle , the affection and desire , friendship and romantic love . Picks animation film can not only provide the audience with the physical and psychological comfort , but also the romantic love . Picks animation film can not only bring about the hot spot social problem that people pay attention to , such as education problem of single parent family , environmental protection , academic fraud , nail family problem , obesity problem , etc .

The fifth chapter is based on semiotic theory , discusses the narrative meaning of every symbol element in the film of Picks , and the hidden information and the author ' s point of view . Character symbol , lens symbol and sound symbol are the basic elements of the visual and visual system of Picks animation film .

Through the above analysis , the narrative characteristics of the Picks animation film can be summarized , the hidden cultural concept and value judgment are revealed , and the rich connotation carried by these concepts is brought together , and the artistic depth and the economic benefit are effectively combined together , so as to provide a reference case for the creation of the animation film .
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

【参考文献】