新世纪中国谍战题材电视剧研究

发布时间：2018-05-24 14:32

本文选题：谍战剧 + 传播内容　；参考：《重庆工商大学》2013年硕士论文

【摘要】：新世纪以来，谍战题材电视剧在电视屏幕上风生水起，从《暗算》、《潜伏》到《黎明之前》，再到近期播出的《悬崖》，观众无不喜闻乐道。谍战剧的方兴未艾有着深层的社会文化原因：首先，谍战剧的宏大叙事契合了当前的主流价值观；其次，谍战剧陌生化的故事情节、紧张刺激的戏剧冲突满足了消费市场受众的审美趣味；最后，剧中新英雄主义的出现实现了和平年代受众的英雄梦。在市场化的作用下，谍战题材电视剧已经逐渐演变一种成熟类型剧，拥有了一定的生产规模和产量，在其创作过程中也逐渐呈现出若干类型元素、程式化的叙事方式和特定的受众接受心理特征。然而学界对谍战剧的研究多数致力于谍战剧的个案研究或叙事策略研究，对其作为一种类型剧的传播学解读还较欠缺。理论研究的忽视导致受众对谍战剧缺乏一个直观的全面的认知，对其目前所出现的问题、困境也难有创造性的解答。本文在梳理谍战剧发展历程的基础上，对谍战剧作出定义，分析出谍战剧的传播内容，即其类型元素；结合叙事学和大众传播学的相关理论，从热播的谍战题材电视剧中选出《暗算》、《潜伏》、《黎明之前》和《悬崖》等具有典型代表的电视剧为依托，以符号学、心理学、女性主义、西方结构主义叙事学和使用与满足理论为理论工具，深度解析新世纪谍战剧的发展与传播，并在文章最后指出当前谍战剧的生存困境与创新发展之路，以冀能为新世纪谍战剧的理论研究和创作实践尽一份绵薄之力。本文包括绪论、正文、结语三个部分。绪论部分阐述文章的研究背景、文献综述、创新之处和研究方法。第一章是谍战剧的概况，梳理我国谍战剧发展的三段历程，从反特片到谍战片的完美演变，并简要阐述了谍战剧作为一种类型剧的发展情形；第二章从分析谍战剧的故事情节和人物形象等类型元素入手，分析谍战剧的传播内容；第三章从叙事学理论出发，，分析谍战剧的叙事特征：首先是谍战剧的叙事策略研究，包括叙事结构、叙事视角和叙事话语，随后从政治、经济和文化角度分别分析其叙事内涵；第四章从“使用与满足”理论出发，研究谍战剧的受众心理及其传播效果；第五章分析目前谍战剧面临的困境：传播内容雷同与传播文化低俗，以此提出反类型和类型融合是其可取的两种突围策略；最后在结语部分再次强调谍战剧作为类型剧取得的成功，并重申其现实困境，期待通过各方的继续努力，使谍战剧能够永葆繁荣，“谍谍”不休。
[Abstract]:Since the new century, espionage TV dramas on the television screen, from "secret calculation", "latent" to "before dawn", to the recent broadcast of "Cliff", the audience is happy to hear. There are deep social and cultural reasons for the rise of espionage dramas: first, the grand narrative of espionage shows fits into the mainstream values; secondly, the story of espionage dramas is unfamiliarized. The tense and exciting drama conflict satisfies the aesthetic taste of the consumer market audience. Finally, the emergence of the new heroism in the play realizes the heroic dream of the audience in peacetime. Under the role of marketization, espionage TV series has gradually evolved a mature type of drama, with a certain scale of production and production, and in the process of its creation, it has gradually presented a number of types of elements. A stylized narrative and psychological characteristics of a particular audience. However, the study of espionage drama is mostly devoted to the case study or narrative strategy study of espionage drama, and its interpretation as a type of drama is still lacking. The neglect of theoretical research leads to the audience's lack of an intuitive and comprehensive understanding of espionage dramas, and it is difficult to find creative solutions to the current problems. On the basis of combing the development of espionage drama, this paper defines espionage drama, analyzes the content of espionage drama, that is, the elements of its type, and combines the related theories of narratology and mass communication. From popular espionage TV dramas, such as "secret calculation", "latent", "before dawn" and "Cliff" are selected as typical TV dramas, which are based on semiotics, psychology, feminism, etc. The western structuralism narratology and the theory of using and satisfying are theoretical tools to deeply analyze the development and dissemination of espionage in the new century. At the end of the article, the author points out the dilemma of existence and the way of innovation and development of the current espionage. Ji can contribute to the theoretical research and creative practice of espionage drama in the new century. This paper includes three parts: introduction, text and conclusion. The introduction part describes the research background, literature review, innovation and research methods. The first chapter is the general situation of espionage drama, combing the three stages of the development of spy war drama in China, from anti-special film to spy war film perfect evolution, and briefly expounds the development of spy war drama as a type of drama; The second chapter begins with the analysis of the story plot and character image of espionage drama, and analyzes the content of espionage drama; the third chapter analyzes the narrative characteristics of espionage drama from the perspective of narratology: first, the research on narrative strategy of espionage drama. It includes narrative structure, narrative perspective and narrative discourse, and then analyzes its narrative connotation from political, economic and cultural perspectives. Chapter four studies the audience psychology and its spreading effect of espionage drama based on the theory of "use and satisfaction". The fifth chapter analyzes the predicament that the espionage drama faces at present: the communication content is the same and the communication culture is vulgar, so as to put forward the anti-type and the type fusion are its two desirable breakthrough strategies; Finally, in the conclusion part, the author emphasizes the success of espionage drama as a type of drama, and restates its realistic predicament, and hopes that through the continued efforts of all parties, the espionage drama can remain prosperous forever, "spy" endlessly.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G206;J905

【参考文献】