杨凡电影中的女性意识探究

发布时间：2018-05-25 14:42

本文选题：杨凡 + 女性电影　；参考：《南京师范大学》2014年硕士论文

【摘要】：杨凡是香港影坛上一位比较特别的导演,他的电影几乎都是以女性为主要表现对象,他坚持拍女性电影,执着于对于女性世界的关注。本文选取“女性意识”作为突破口,结合女性主义理论对杨凡导演的作品展开研究,全面深入地阐释“女性意识”在主题内涵、人物形象、叙事方式和影像表达方面的呈现,进而探讨其电影中女性意识的性别诗学。本文由绪论、正文、结语三部分组成。绪论部分主要介绍本文的选题意义,及目前学术界的研究现状并提出创新。正文共分为四章,第一章,在女性主义的理论基础上分析杨凡电影中的女性意识的建构。第二章,从人物形象塑造上来分析杨凡电影中的女性意识的彰显。第三章,从影片的叙述视点、叙事人称和叙事结构方面分析杨凡电影中的女性性别叙事。第四章,从光影、色彩、镜头和声音的角度分析杨凡电影中女性意识的影音呈现。结语部分是对全文的概述,总结出杨凡电影的独特艺术价值和内涵。
[Abstract]:Yang Fan is a more special director in the Hongkong film world. His films are almost all of the women as the main object. He insists on making female films and persists in the attention to the women's world. This article selects "female consciousness" as a breakthrough and studies the works directed by Yang Fan in a comprehensive and thorough way. "Feminine consciousness" is presented in the themes, characters, ways of narration and image expression, and then explores the gender poetics of feminine consciousness in her films.
This article is composed of three parts: introduction, text and conclusion. The introduction part mainly introduces the significance of this topic, and the current research status and innovation in the academic circle. The text is divided into four chapters. The first chapter, on the basis of feminist theory, analyzes the construction of female consciousness in Yang Fan's film. The second chapter analyzes Yang from the characterization of characters. In the third chapter, the third chapter analyzes the female sex narration in the film from the narrative point of view, the narrative person and the narrative structure. The fourth chapter analyses the appearance of the feminine consciousness in Yang Fan films from the angle of light, color, lens and sound. The concluding part is a summary of the full text, and summarizes Yang Fan The unique artistic value and connotation of the film.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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