动画角色中的角色性格塑造的研究

发布时间：2018-05-26 08:13

本文选题：色彩 + 动画角色　；参考：《武汉理工大学》2014年硕士论文

【摘要】：动画角色设计是用形象的语言,将抽象的象征意义转化为具象形象并直接传达于人的视觉的一种艺术样式。它清除了人们的知觉感受与视觉符号之间的距离,使其具有广泛的受众群体。决定动画影片成功的关键，在于充分挖掘塑造角色的性格,准确的传达角色的情感与思想,通过角色引导故事的起承转合，将影片剧情推向高潮。在影视动画中，随着剧情的起承转合，角色心理会随剧情的转折而产生紧张、恐惧、愤怒、悲伤或愉悦、兴奋、高亢、激动等变化。而造型、色彩、动作设计是动画创作中最直观，最具感染力的视觉元素，在传达和揭示动画剧情中角色的心理过程和个性信息方面起着重要的作用。不同的造型、色彩、动作设计的运用在刻画不同的空间、时间和不同的对象时，，都将产生不同的心理和生理的变化，并且不断地传达着动画影片的情感方向。在动画创作中，造型、色彩、动作设计可以用来衬托角色的情绪与心理变化，直接表现角色的个性特征。把握造型、色彩、动作设计情感表现，是塑造动画角色心理的一种重要手段。本文的研究目的首先是能够为动画角色设计中对角色性格塑造的研究提供理论依据与参考价值,二是希望参照动画发展史中的优秀的国内外影片，梳理总结动画角色性格塑造的规律,形成一套系统的程式化的角色性格塑造手法，为在动画创作中表现动画角色性格、情感等提供程式化的设计依据参考。最后,是希望通过研究角色性格塑造能够给笔者在创作毕业设计的过程中有所启发。
[Abstract]:Animation character design is an artistic style that transforms abstract symbolic meaning into concrete image and conveys directly to human vision. It clears the distance between people's perceptual feeling and visual symbols and makes them have a wide audience. The key to the success of animated film lies in fully excavating and shaping the character of the character, accurately conveying the character's emotion and thought, and bringing the plot to the climax through the combination of the character guiding the story. In film and television animation, the character psychology will produce tension, fear, anger, sadness or pleasure, excitement, hyperactivity, excitement and so on with the transition of the plot. However, modeling, color and action design are the most intuitive and infectious visual elements in animation creation, which play an important role in conveying and revealing the psychological process and personality information of characters in animation plot. The application of different modeling, color and action design in depicting different space, time and different objects will produce different psychological and physiological changes, and constantly convey the emotional direction of the animated film. In animation creation, modeling, color and action design can be used to foil the emotional and psychological changes of the character and directly reflect the personality characteristics of the character. Grasping the emotional expression of modeling, color and action design is an important means to shape the psychology of animation characters. The purpose of this paper is to provide the theoretical basis and reference value for the study of character shaping in the animation character design, and the second is to refer to the excellent domestic and foreign films in the history of animation development. Combing and summing up the rules of character shaping of animation characters, forming a set of systematic stylized character shaping techniques, providing a reference for the design of stylized design for the expression of character and emotion in animation creation. Finally, it is hoped that the study of character-building can enlighten the author in the process of creating graduation design.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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