影视镜头语言表现人物内心意绪的方式研究

发布时间：2018-05-28 14:16

本文选题：影视 + 镜头语言　；参考：《扬州大学》2015年硕士论文

【摘要】：影视艺术是运用多种视听手段综合作用于人物的心理活动刻画的一种艺术形式,他是以影视技术为手段,以画面和声音为媒介,在荧屏上运动的时间和空间里创造形象,再现和反应生活的一门艺术。也正是因为这样,在影视剧中表现人物心理活动的时候,才和戏剧有了一定的区别,在电影或电视中,导演可以综合运用视听语言思维和想象调动方方面面,特别是可以通过镜头的运用来表现人物的内心意绪,塑造人物心理。本文主要从镜头语言的运用来分析如何表现人物的内心意绪,使人物内心的一些东西通过镜头语言变得可感、可触、可摸。这就要涉及到镜头语言的一些元素,例如,特写镜头、运动镜头、主客观镜头等,通过对这些元素进行具体的案例分析,真正的透析影视人物的内心。创造出使影视人物表情达意更多的思路与方法。本论文主要采用文献研究法、观察法和案例分析法进行研究,特别是笔者通过具体的案例分析,建构出了镜头语言表现人物内心意绪方式的框架模型,一方面可以为观者观看影视作品时提供一点有迹可循的思路,更好地理解片中的指向与意义,另一方面也可以为创作者提供一些外化人物内心意绪方式的思路和方法,让他们有选择性地把握人物的内心,为人物角色定位提供一些有规律可寻的东西,丰富表现人物内心世界的方式。具体来说,本论文共分为六章：引言、文献综述、镜头语言与人物内心意绪的理论阐释、镜头语言在内心意绪外化方面的运用、数字技术下人物内心意绪的表现策略以及研究总结与展望。第一章主要论述的是研究背景与对象、研究的目标与内容,研究方法与思路以及本论文的研究意义。第二章从“镜头语言概述”以及“关于表现人物内心意绪的方式研究”两个大方面做了国内外相关研究现状及综述。第三章主要对镜头语言的理论阐释及内心意绪的心理解读两个方面进行了详细的理论阐述。第四章笔者从“运动镜头传达人物心理活动”、“特写镜头外化人物内心意绪”、“主客观镜头的巧妙利用展现人物内心世界”以及“蒙太奇暗示人物内心思绪”四个大方面结合具体案例,对镜头语言在表现人物内心意绪的方式进行了研究。第五章笔者提出了在现代数字技术下,镜头语言更多的表现策略。第六章也就是论文最后部分笔者对研究的内容进行了简单的总结和归纳,反思了研究的不足并对未来的研究进行了展望。
[Abstract]:Film and TV art is a kind of art form which uses various audiovisual means to comprehensively act on the psychological activities of the characters. It uses film and television technology as the means, picture and sound as the medium, and creates images in the time and space of motion on the screen. The art of reproducing and reacting to life. It is precisely because of this that when people show their psychological activities in movies and TV plays, there is a certain difference between them. In movies or television, directors can comprehensively use audio-visual thinking and imagination to mobilize all aspects. In particular, the use of the lens can be used to express the character's inner mood and shape the character's psychology. This paper mainly analyzes how to express the inner feelings of the characters from the use of lens language, so that some things of the characters can be sensed, touchable and touchable through the lens language. This involves some elements of lens language, such as close-up lens, motion lens, subjective and objective lens and so on. Create more ideas and methods to make film and television characters express themselves. This thesis mainly uses the literature research method, the observation method and the case analysis method to carry on the research, especially the author through the concrete case analysis, constructs the frame model which the lens language expresses the character's inner mind mood way. On the one hand, it can provide the viewer with some ideas to follow while watching film works, and better understand the direction and significance of the film. On the other hand, it can also provide the creators with some ideas and methods for externalizing the inner feelings of the characters. Let them selectively grasp the character's heart, provide some regular things for the character's position, enrich the way of expressing the character's inner world. Specifically, this thesis is divided into six chapters: introduction, literature review, the theoretical interpretation of lens language and characters' inner mood, the application of lens language in the externalization of inner meaning. The expression strategy and the research summary and prospect of the character's inner mood under the digital technology. The first chapter mainly discusses the research background and object, the research goal and the content, the research method and the thought as well as the research significance of this paper. In the second chapter, the author makes a summary of the domestic and foreign research from the aspects of "the outline of lens language" and "the research on the ways of expressing the characters' inner feelings". In the third chapter, the theoretical interpretation of lens language and the psychological interpretation of mental feelings are discussed in detail. In the fourth chapter, the author tries to convey the psychological activities of the characters by the motion lens, and from the close-up lens to externalize the inner feelings of the characters. This paper studies the ways in which lens language expresses the inner feelings of the characters by combining the four major aspects of "the clever use of the subjective and objective lens to show the inner world of the characters" and "the inner thoughts of the characters implied by montage". In the fifth chapter, the author puts forward more performance strategies of lens language under modern digital technology. The sixth chapter is the last part of the thesis, the author summarizes and summarizes the content of the research, reflects on the shortcomings of the research and prospects for future research.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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