沦陷时期上海电影初探（1941-1945）

发布时间：2018-05-28 18:27

本文选题：沦陷时期 + 上海电影　；参考：《中国电影艺术研究中心》2014年硕士论文

【摘要】：本文拟借助史料和影像文本,从以下几方面对沦陷时期上海电影进行梳理和探讨。第一章针对沦陷时期电影业的格局,从资本、组织、人事三方面加以梳理,以期考察“中联”、“华影”的结构和发展。第二章通过分析本时期的电影政策和制片方针,提出沦陷时期上海电影从“恋爱”到“教育”的制片走向,并借以观察本时期电影业的上层操纵和下层操作之间的断裂。第三章梳理沦陷时期电影作品,从生产制约因素、类型特征、题材改编、风格形成等方面集中论述电影创作趋向,以期对本时期的电影创作有较为明晰的认识。本文对沦陷时期上海电影研究的目的,一是借助史料梳理,探究当时上海电影业的概貌；二是借此做初步的整理和分析,为这段电影史的细化研究打下基础。
[Abstract]:With the help of historical materials and image texts, this paper discusses Shanghai films in the period of enemy-occupied from the following aspects. The first chapter combs the pattern of movie industry from three aspects of capital, organization and personnel in order to investigate the structure and development of Zhonglian and Huaying. By analyzing the film policy and production policy of this period, the second chapter puts forward the trend of Shanghai film production from "love" to "education" in the period of the fall of China, and then observes the break between the upper and lower level operation of the film industry in this period. The third chapter combs the film works of the period of the fall, from the production restriction factor, the type characteristic, the subject matter adaptation, the style formation and so on, discusses the movie creation tendency, in order to have the clearer understanding to this period movie creation. The purpose of this paper is to comb the historical data and explore the general picture of Shanghai film industry in the period of the enemy-occupied period. The second is to make a preliminary arrangement and analysis to lay the foundation for the detailed study of the film history.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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