藏族题材纪录片中的文化再现研究

发布时间：2018-05-28 21:57

本文选题：纪录片 + 藏文化　；参考：《西北师范大学》2013年硕士论文

【摘要】：随着当今时代全球文化的交流和融合，，纪录片这一媒介作为现实的见证、历史的写照，在跨文化传播与交流中起着举足轻重的作用。我国自古以来就是统一的多民族国家，56个民族文化共同构成了璀璨的、历史悠久的中华文明。近年来，许多反映少数民族人文、风俗的优秀纪录片相继出现，向我们打开了一扇充满神秘色彩的少数民族文化的窗口。素有“世界屋脊”之称的西藏，美丽而神奇，聚居于此的藏族是中国古老的民族之一，如今，随着藏区经济、文化的发展，越来越多的人们渴望了解这充满神秘的土地。创作者通过藏族题材纪录片发掘着西藏的美丽、磅礴与神秘，叙述着历史与现实交叠时的迷茫与变化，表达着时代变革中对未来的美好向往。本文界定了藏族题材纪录片的含义，回顾了国内外藏族题材纪录片曲折的发展历程，分析了它在不同发展阶段的时代特色和存在的缺陷，并在跨文化的传播语境中，通过对具有代表性的纪录片进行内容分析的方式，开展对藏文化的研究，即包括建筑、服饰、饮食、地理等物质民俗文化和绘画、宗教、婚礼及丧葬等精神民俗文化，解析国内外藏族题材纪录片对藏区民风民俗的跨文化交流。此外，由于西藏本身特殊的政治地位、创作者的不同文化背景等等因素，使藏文化在纪录片的传播过程中，产生了一些跨文化传播障碍与偏差，本文通过寻找国内外导演对藏族文化理解的共性与差异，以及分析产生这种现象的主要原因，结合藏族题材纪录片的成功范例，解析其赢得国内、外观众的普遍认同的原因及成功的模式，初步探索了做好藏族题材纪录片的文化传播的可能途径，藏族题材纪录片在跨文化交流中的未来发展之路，以期为今后藏族题材纪录片的创作带来一些借鉴意义。
[Abstract]:With the communication and integration of global culture in the present era, documentary, as a medium of reality and historical portrayal, plays an important role in cross-cultural communication and communication. Since ancient times, China has been a unified multi-ethnic country, 56 ethnic cultures together constitute a bright, long history of Chinese civilization. In recent years, many excellent documentaries reflecting the humanities and customs of ethnic minorities have emerged, which has opened a window of the mysterious minority culture. Tibet, known as the "roof of the world", is beautiful and magical. The Tibetans living here are one of the ancient ethnic groups in China. Nowadays, with the development of Tibetan economy and culture, more and more people are eager to understand this mysterious land. The author explores the beauty, majesty and mystery of Tibet through Tibetan documentaries, narrates the confusion and changes when history and reality overlap, and expresses the beautiful yearning for the future in the transformation of the times. This paper defines the meaning of Tibetan documentaries, reviews the tortuous development of Tibetan documentaries at home and abroad, analyzes its characteristics and defects in different stages of development, and in the context of cross-cultural communication. By analyzing the contents of representative documentaries, the study of Tibetan culture is carried out, that is, the spiritual folklore culture of architecture, clothing, diet, geography, religion, weddings and funerals, etc. Analyze the cross-cultural exchange of Tibetan theme documentary on folk customs and customs in Tibetan area at home and abroad. In addition, due to the special political status of Tibet itself, the different cultural backgrounds of the creators, and other factors, the Tibetan culture has produced some obstacles and deviations in the transmission of the documentary film. By looking for the commonness and difference of the directors' understanding of Tibetan culture at home and abroad, and analyzing the main reasons for this phenomenon, and combining with the successful examples of Tibetan documentaries, this paper analyzes its success in China. The reasons for the general acceptance of foreign audiences and the successful mode have preliminarily explored the possible ways to do a good job in the cultural dissemination of Tibetan documentaries, and the way for the future development of Tibetan documentaries in cross-cultural exchanges. In order to bring some reference significance for the creation of Tibetan documentaries in the future.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952

【参考文献】