“作者电影”理论观照下的王家卫电影

发布时间：2018-05-29 14:06

本文选题：作者电影 + 母题　；参考：《山西大学》2013年硕士论文

【摘要】：二十世纪八九十年代的香港华语电影圈诞生了许多优秀的电影导演和电影作品,其中,王家卫导演以其独树一帜的电影风格成为当中最引人注目的电影“作者”之一。从1988年首次执导的《旺角卡门》到2013年的《一代宗师》,王家卫已有十一部影片问世,这些影片荣获了香港电影金像奖、台湾电影金马奖、戛纳电影节最佳导演奖等多个重要奖项,并得到国际影坛的一致肯定。尤其伴随着2013年开年大戏《一代宗师》的全面热映,在观众和电影评论界又掀起了一阵“王家卫电影热”,可见王家卫电影值得我们认真地研究。王家卫的电影堪称作者电影,这不仅因为他的每一部作品都是自编自导的,更是因为他的电影有一套属于自己的个性化的电影体系,能够完整地体现导演独特的艺术风格。本论文将王家卫放于香港电影的大环境下去考虑他的电影作者身份,并对王家卫的电影展开梳理,通过编导合-式的创作为研究起点,力图对王家卫深邃的电影母题、极具个人特色的叙事特征和诗意般的视听语言进行分析,探析其作为电影“作者”独特的电影艺术风格,走进电影“作者”独特的电影艺术世界。本论文主要从以下几个方面展开论述：第一部分,从论文的选题背景与意义着手,分析现有的研究现状。第二部分,将王家卫放于香港电影的背景下,研究其电影产生的时代、文化和社会背景,并分析王家卫电影符合作者电影的标准,具有“作者”独特气质。第三部分对王家卫电影所呈现的一脉相承母题进行深层诠释。第四部分统观王家卫所有影片,从互文性的情节、趋同性的角色、贯穿性的镜头和相似性的叙事时空来着手,归纳总结王家卫电影独具特色的叙事特征。第五部分通过对王家卫电影视听语言的研究,归纳总结其电影带给人们画面、色彩、独白、音乐的视听感受。王家卫凭借对都市生活独特的生命体验、个性化的表述方式和风格化的视听影像成功地构建了一种独特的“王家卫式”的电影风格。这种独特的风格正是电影“作者”的精神体现,值得我们深入研究。
[Abstract]:In the 1980s and 1990s, Hong Kong Chinese film circle produced many excellent film directors and films. Among them, Wang Jiawei director became one of the most attractive film "authors" with his unique film style. From "Mongkok Carmen," which was first directed in 1988, to "the Grandmaster," in 2013, Wang Jiawei has produced 11 films. These films have won the Hong Kong Film Awards and the Taiwan Film Golden Horse Awards. Cannes Film Festival for best director award and other important awards, and the international film industry unanimously affirmed. Especially with the full popularity of the Chinese New year drama "Master of the Generation" in 2013, there is another "Wang Jiawei Film craze" in the audience and film critics. It is obvious that the Wang Jiawei films are worthy of our careful study. Wang Jiawei's film can be called the author's film, not only because every work is self-directed, but also because his film has its own personalized film system, which can fully reflect the unique artistic style of the director. In this thesis, Wang Jiawei is put into the Hong Kong film environment to consider his identity as the author of the film, and Wang Jiawei's film is combed out, and through the authoring and co-production as the research starting point, the author tries hard to study the profound motif of Wang Jiawei. This paper analyzes the narrative characteristics and poetic audio-visual language with individual characteristics, analyzes its unique film art style as "author", and enters the unique film art world of "author". This paper mainly discusses from the following aspects: the first part, from the background and significance of the thesis, analysis of the existing research status. In the second part, the author puts Wang Jiawei in the background of Hong Kong film, studies the era, culture and social background of the film, and analyzes that the Wang Jiawei film accords with the standard of the author's film and has the unique temperament of "author". The third part is the deep interpretation of the theme of Wang Jiawei film. In the fourth part, from intertextuality of plot, the role of convergence, the penetrating lens and the similar narrative time and space, the author summarizes the unique narrative characteristics of Wang Jiawei films. The fifth part summarizes the audiovisual feeling of Wang Jiawei film through the study of its audio-visual language, which brings people pictures, colors, monologues and music. Wang Jiawei has successfully constructed a unique "Wang Jiawei" film style by means of the unique life experience, individualized expression and stylized audio-visual images of urban life. This unique style is the spirit of the movie "author", worthy of our in-depth study.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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