电影《老炮儿》中观念与故事的冲突

发布时间：2018-05-30 07:33

  本文选题：《老炮儿》 + 观念　； 参考：《电影文学》2016年24期

【摘要】：观念是电影的灵魂,故事是电影的血肉。在具体的作品中,观念和故事的关系呈现为复杂微妙的消长,造成观念与故事的冲突。《老炮儿》成于观念,败于观念。观念大于故事的问题,导致了影片一系列的失误和败笔,包括"教训小偷""鸵鸟出笼""一厢情愿的和解""大团圆式的结局"等。《老炮儿》的得失再一次印证了,处理好观念与故事的冲突对电影文学创作的特殊影响和意义。观念易得,故事难讲。补齐讲故事的短板,中国电影的水平和质量会有更大的提升。
[Abstract]:The idea is the soul of the film, the story is the flesh and blood of the film. In the concrete works, the relationship between the idea and the story is complicated and subtle, resulting in the conflict between the idea and the story. The idea is greater than the story, leading to a series of mistakes and failures in the film, including "teaching the thief", "the ostrich out of the cage," wishful reconciliation, "the happy ending", and so on. The gains and losses of the "Old Gun" have been confirmed once again. Deal with the conflict between ideas and stories on the special impact and significance of film literature creation. Ideas are easy to come by, but stories are hard to tell. Fill the story of the short board, the level and quality of Chinese films will have a greater improvement.
【作者单位】： 哈尔滨学院人文学院;
【分类号】：J905
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本文编号：1954468