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大陆古装剧在台湾热播现象研究

发布时间:2018-05-30 23:15

  本文选题:大陆历史剧 + 两岸交流 ; 参考:《华东师范大学》2014年硕士论文


【摘要】:近几年,大陆电视剧产销两旺,不仅火爆大陆荧屏,并在台湾掀起收视热潮,呈现出热播热议的状态。其中,古装剧作为具有历史和电视剧双重身份的特殊电视剧样式,在与大陆有着同根传统文化的台湾较能引起共鸣。以古装剧为主的大陆电视剧纷纷“登岛”,占据了台湾八点档的银屏,引起业界和学者的广泛讨论。较之于以往台湾影视剧大量地输入大陆,而大陆影视剧很少能够传播到台湾的窘况,如今被称之为“陆流”传播的“逆流”现象在台湾逐渐成势。 鉴于两岸有着较为敏感的政治历史背景,将电视剧这种意识形态的产物嵌套在台湾的收视环境下,传播效果会如何是本论文主要进行阐述的方向。 绪论部分阐述了研究的动机与意义,对研究现状进行分类梳理,概述了研究的主要内容。 第二章对大陆古装剧在台湾的播映史进行回顾,重点阐述了近期的火爆情况。并以其在台湾的收视情况作为辅助材料,对大陆古装剧在台湾的受欢迎进行现象研究。 第三章从两岸影视剧市场现状、大陆影视制作水平、同根历史文化视阈这几个方面对热播原因分别进行比较探析。 第四章对影视作品中的解读与误读问题进行分析和探讨,并对大陆古装剧题材在当今后现代新语境的变迁中所映射出的社会问题进行现象评述。最后,对两岸影视界互动发展的可能性及模式探讨。 结语部分对课题研究中的启示和反思进行总结,并对本课题的未来发展进行了预测。
[Abstract]:In recent years, the production and marketing of mainland TV plays have been booming, not only on the mainland screen, but also in Taiwan, showing a state of hot debate. Among them, ancient costume drama, as a special TV drama style with dual identity of history and TV drama, can resonate in Taiwan, which has the same traditional culture as the mainland. Mainland TV dramas, which are mainly ancient costume dramas, have "landed on the island", occupying Taiwan's 8 o'clock screen, which has aroused extensive discussion among the industry and scholars. Compared with the previous Taiwan films and TV dramas imported into the mainland in large quantities, and the mainland TV drama rarely spread to Taiwan's predicament, now known as the "land current" spread of the "counter-current" phenomenon in Taiwan has gradually become more and more popular. In view of the sensitive political and historical background between the two sides of the Taiwan Strait, how to nest the products of the ideology of TV drama in the viewing environment of Taiwan is the main direction of this paper. The introduction explains the motivation and significance of the research, classifies the present research situation and summarizes the main contents of the research. The second chapter reviews the history of mainland costume dramas in Taiwan, focusing on the recent popularity. Based on the viewing situation in Taiwan, the phenomenon of the popularity of mainland costume dramas in Taiwan is studied. The third chapter compares the reasons of popular broadcasting from the current situation of cross-strait film and TV drama market, the level of film and television production in mainland China, and the same historical and cultural perspective. The fourth chapter analyzes and discusses the interpretation and misreading of film and television works, and comments on the phenomenon of the social problems reflected in the changes of the mainland's ancient costume drama subject matter in the modern post-modern context. Finally, the possibility and mode of the interactive development of film and television circles across the Taiwan Strait are discussed. The conclusion summarizes the enlightenment and reflection in the research, and predicts the future development of the subject.
【学位授予单位】:华东师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【参考文献】

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