电影《老炮儿》中的身份归属和权力抗衡

发布时间：2018-05-31 05:47

  本文选题：《老炮儿》 + 身份归属　； 参考：《电影文学》2016年06期

【摘要】：借用西方存在主义理论和符号学的部分观点,文章通过对电影《老炮儿》中个性化人名和台词的文本化细读,来寻求主角和配角的身份归属,归纳出电影的多元化主题。文章在挖掘故事背后权力博弈的同时,也对以老炮儿为中心的小人物的内心做了探讨。电影可视为一部以言语为表现层面,然后从中寻找角色各自的身份归属,并探求隐藏在故事背后的棋局博弈,倾听来自权力双方彼此抗衡的声音,颇有内涵和深度的片子。
[Abstract]:Based on some viewpoints of western existentialism and semiotics, this paper tries to find out the identity of the protagonists and supporting actors by reading the text of the individualized names and lines in the film "Old Guaner", and concludes the diversified themes of the films. While excavating the power game behind the story, the article also discusses the inner heart of the little man who takes the old gun as the center. The film can be regarded as a film with language as its expression level, and then find out the identity of the characters, and explore the game of chess game hidden behind the story, listen to the voices of the two sides of power competing against each other, and have the connotation and depth of the film.
【作者单位】： 上海民航职业技术学院;
【分类号】：J905
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本文编号：1958527