新时期蒙古族题材电影音乐探析

发布时间：2018-06-01 02:26

本文选题：蒙古族题材 + 电影音乐　；参考：《内蒙古师范大学》2013年硕士论文

【摘要】：电影是一种综合艺术，它融合文学、戏剧、舞台艺术、音乐、摄影于一体，有着丰富的表现力以及深厚的艺术内涵。而电影中的音乐作为电影的一个重要组成部分，对影片的渲染，人物情感的抒发，剧情的解说等都起着不可替代的作用。成立于1958年的内蒙古电影制片厂，，从建厂初到今天五十多年的时间里拍摄出了大量优秀的电影作品。贯穿于这些影片之中的音乐同样也不乏经典之作。新时期蒙古族题材电影音乐，更是取得了很大的发展，如电影《嘎达梅林》、《天上草原》、《长调》等获得了国内外各类奖项。作为少数民族题材电影音乐创作，面对着丰富的民间音乐资源，怎样将这些素材与现代的电影音乐创作技法充分融合，以达到既可以提升蒙古族电影音乐的创作水平，又能够借助电影这一载体更好的将蒙古族民间音乐传承下去的目的。本文以《草原晨曲》《天上草原》为例。一方面通过对两部影片主题音乐、背景音乐的音乐形态，如调式、调性、结构等进行逐一分析，另一方面从电影音乐配置手法，如音画同步、音画对位、音乐蒙太奇等方面进行剖析论述。文章第一部分将电影音乐的基本概念，以及世界电影音乐、中国电影音乐的发展进行介绍和梳理；第二部分则针对《草原晨曲》《天上草原》两部中的主题音乐、背景音乐、场景音乐进行音乐形态方面，如调式、调性、和声、配器、节奏、结构等进行细致分析。第三部分，则从电影音乐的配置手法，即音画对位关系以及两个时期电影音乐作品在民族音乐特性方面所产生的变化加以对比。通过以上论述，从而探究出蒙古族电影音乐在新时期，特别是二十一世纪后在音乐本体及电影音乐创作手法上所取得的发展。希望此文能够为今后蒙古族电影音乐的研究者，提供理论支持和必要的文献资料。
[Abstract]:Film is a comprehensive art, which combines literature, drama, stage art, music and photography. It has rich expressive power and profound artistic connotation. As an important part of the film, the music plays an irreplaceable role in rendering the film, expressing the emotions of the characters and explaining the plot. The Inner Mongolia Film Studio, founded in 1958, produced a large number of excellent films from its inception to today's 50 years. The music that runs through these films also has classics. In the new period, Mongolian movie-themed music has made great progress, such as the film "Gadamelin", "the Prairie in Heaven", "long tune" and so on, which have won various awards at home and abroad. In the face of the rich folk music resources, how to integrate these materials with modern film music creation techniques, in order to improve the creation level of Mongolian film music, The purpose of inheriting Mongolian folk music is better with the carrier of film. This paper takes the prairie Morningsong as an example. On the one hand, through the analysis of the music form of the two films' theme music and background music, such as mode, tone, structure, etc. On the other hand, from the movie music configuration techniques, such as the synchronization of sound and painting, the matching of sound and painting, Music montage and other aspects of the analysis. The first part of the article introduces and combs the basic concept of film music, as well as the development of world film music and Chinese film music, and the second part focuses on the theme music and background music in the two parts of "Prairie Morningsong" and "Sky Prairie". Scene music for musical form, such as tone, tonality, harmony, orchestration, rhythm, structure and so on. In the third part, the author compares the disposition of film music, that is, the relationship between sound and painting, and the changes in the characteristics of national music in the film music works of the two periods. Through the above discussion, this paper explores the development of Mongolian film music in the new period, especially after the 21 century. It is hoped that this paper can provide theoretical support and necessary literature for the future Mongolian film music researchers.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J617.6

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